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Alimentative Architecture
A series of articles by Architect-Poet-Calligrapher H Masud Taj interfacing architecture with food via geometry.
ArchitectureLive! continues with Alimentative Architecture – The fifth in a series of articles by Architect-Poet-Calligrapher H Masud Taj interfacing architecture with food via geometry.
ArchitectureLive! continues with Alimentative Architecture – The fourth in a series of articles by Architect-Poet-Calligrapher H Masud Taj interfacing architecture with food via geometry.
ArchitectureLive! continues with Alimentative Architecture – The third in a series of articles, An Architect Eats Chapati, by Architect-Poet-Calligrapher H Masud Taj interfaces architecture with food via geometry.
ArchitectureLive! celebrates UN World Food Day with Alimentative Architecture – The second in a series of articles by Architect-Poet-Calligrapher H Masud Taj interfacing architecture with food via geometry.
Alimentative Architecture – A series of articles by Architect-Poet-Calligrapher H Masud Taj interfacing architecture with food via geometry.
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.Perspectives
As quite a few architects pursue post-graduation studies in architecture for job market opportunities, firm dreams, or specialization, despite unclear benefits and high costs, Saumya Bansal talks about alternatives that offer practical skills and less financial risk.
Mehar Deep Kaur and Asees Prab critically raise the issue surrounding the demolition of Rock Garden wall in Chandigarh for additional parking space for the High Court. They highlight the tension between heritage preservation and elite-driven development, questioning the city’s modernist planning and the impact on citizens.
Ameet Singh writes about how even though the Indus Valley Civilization was an early urban centre, the megacities of India face quite a few challenges, despite modern India’s governance. He further talks about a few solutions that could help enhance the quality of life in Indian cities.
Pramod Balakrishnan paints a stark picture of the architectural profession, highlighting its internal divisions and its focus on serving the elite. He argues that this, coupled with a flawed educational system churning out compliant technicians rather than innovative visionaries, is stifling the field’s potential.
Rahul Kadam, Architect at The NGK Studio, Pune, recounts his visit to Nari Gandhi’s final project in Kolegaon, Ahmednagar—the Dargah and Darwaz—discussing the incomplete project in brief.
Kanay Shah in his post-graduate dissertation titled “Inequality in Architectural Education in India”, investigates structural disparities in architectural education across government and private institutions. He explores how financial constraints, faculty quality, curriculum design, and technological accessibility shape students’ experiences.
Praveen Bavadekar, in his review for Five Architectural Fables by Edgar Demello, opines how the architectural fables ingeniously critique urban design through non-human perspectives, transforming complex environmental and design challenges into provocative, imaginative storytelling.
Sheikh Intekhab Alam reviews the book “Sheltering Angle” by Asha and Prabhakar Baste that is a four-decade legacy in Indian architecture, featuring their distinctive approach to housing design and regional influences.
The essay is the third and last article of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India. He explores how Indian architecture embodies memory through two knowledge streams: classical Sanskrit traditions and vernacular oral traditions, each influencing architectural design and cultural preservation differently.
Vidyadhar Phatak, in his tribute to Shirish Patel, writes about his work on Navi Mumbai and critical urban issues.
Sulakshana Mahajan in her tribute to Shirish Patel, writes about how he championed humane development in Mumbai, critiqued the flawed policies, advocated for liveable cities, and mentored generations.
Rahoul B. Singh, of RLDA Architecture | Design | Research, remembers Prof. Ranjit Sabikhi, through this personal and touching tribute.
This article concludes the Maverick Shutterbugs 2.0 series- dedicated to visual narrators and architectural photography.
Maverick Shutterbugs 2.0 is a series dedicated to architectural photographers capturing the built environment. This post is a curated compilation of the entries received from public participation.
Maverick Shutterbugs 2.0 Features: A collection of photographs clicked by Architectural Photographer Prasanth Mohan in the South Asia region.
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