Span Architects

Yellow Stone House, at Indore, by Span Architects

As the name suggests, the abode carries an interesting identity of the yellow stone cladding along with the majority of the facade. The entire elevation has a few vertical surfaces of walls that incline at angles taking it away from the two-dimensional world of drawing. This in turn helps to capture a sensation of movement over in a static state. The structure, almost frozen in movement embraces the concept of light and ventilation with large openings, transparent surfaces, and shadow play. - Span Architects
Span Architects

 

Yellow Stone House, at Indore, by Span Architects 1

 

In the culturally rich landscape of Indore, stands a private residential condominium called the Yellow Stone House. The unique 5 bedroom home was built on a flat rectangular piece of land (42’6”x77’6”) covering over 3293 sqft in area.

As the name suggests, the abode carries an interesting identity of the yellow stone cladding along with the majority of the facade. The entire elevation has a few vertical surfaces of walls that incline at angles taking it away from the two-dimensional world of drawing. This in turn helps to capture a sensation of movement over in a static state. The structure, almost frozen in movement embraces the concept of light and ventilation with large openings, transparent surfaces, and shadow play.

 

 

The House splits into three levels and has its public and service requirements accommodated on the ground floor. The vast parking area also functions as a multi-utility area capable of hosting a small crowd. A series of steps from the gates of the residence carries one to the Main door.

 

 

On entering the First floor one is directed towards the compact formal living or drawing room that bleeds out into an open terrace. With half of its enclosing walls in glass, the room invites the surrounding environment inside. This space invites openness and interaction and gives the feel of infinity with a vision to the sky. The interiors of this room have a yellow stone wall, wooden ceiling, and nature-inspired fabric colors. The terrace garden is also shared by a bedroom that opens up to the lively part of the neighborhood.

 

 

At the Heart of the home is filled with a beautiful staircase and a double-height internal courtyard finished with the same Yellowstone. Every other space or activity revolves around this vertical volume. The walls of the staircase taper in the same fashion as the openings and the elevation facade. This courtyard also houses a pooja room, secluded from the chaos of daily routine. This courtyard hence becomes a beautiful sanctuary by itself, with the adjacent spaces being the most engaging areas for the residents.

 

 

With major bedrooms zoned on this level,  the second floor becomes private heaven. The addition of a bar and a semi-open terrace garden also lend the space qualities to host and entertain family and friends with the evening cityscape as a backdrop.

 

 

Following the concept in interior design, the pivot doors are also angular in design. The color palette is inspired by nature with shades of green in the drawing-room to earthy brown tones in the master bedroom. Nature-inspired wall paintings become a focal point and a source of inspiration. Altogether, the residence was laid out such that the spaces efficiently complement regular activities while being closely connected and aligned with the natural cycle to help maintain a healthy lifestyle.

 

 

Perhaps in an ambitious way, the design approach for this residence was to create aspirational spaces which reinforce the desire to touch the sky as we rise to support the conception of a happy and healthy lifestyle around natural elements.

 

Elevations –

 

Drawings-

 

Video – 

Project Facts –

Project Name:  Yellow Stone House

Architecture Firm: Span Architects

Firm Location:  Indore – India

Completion Year:  2020

Gross Built Area: 7200 sqft.

Site area: 3293 sqft.

Spec: 4 Car parking, Servant room, Office, Drawing room, Living, Dining & Kitchen, 5 Bedrooms, G+2

Project location:  Prakrati Vihar Colony, Indore

Lead Architects: Ar. Anand Maroo, Ar. Arpit Khandelwal, Ar. Pratik Gupta

 

Media Provider

illustration : Haritha John Surrao

Photo credits: Ruuhchitra, Viplove Jain

 

Additional Credits

Design Team: Anand Maroo, Arpit Khandelwal, Pratik Gupta, Prerna Jain, Aditya Chintawar, Anika Saklecha

Engineering: Er. Nilesh Sharma

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »
Sen Kapadia

Nirbhaya Nirgun
“Sen [Kapadia] found his own light early. He followed it without apology and without detour, and never let anyone dim it.”
—A Tribute by Pinkish Shah

Pinkish Shah’s homage to Sen Kapadia, celebrates him as fearless and formless in both life and work. Intellectually rooted in Louis Kahn and Sri Aurobindo, Sen pursued architecture that transcended form toward essential silence. Known for his courage, he maintained quiet, unwavering independence throughout his career.

Read More »
Prof Shireesh Atmaram Deshpande

“Professor Shireesh Deshpande chose the far more difficult task: to mould young minds into thoughtful, responsible, and rooted architects.”—A Tribute by Sarbjit Singh Bagha

Sarbjit Singh Bagha shares his tribute to Prof. Shireesh Atmaram Deshpande (1934–2026), a pioneering figure in Indian architectural education who passed away on 10 April 2026 at 91. Known affectionately as “Dada,” he spent nearly four decades at VNIT Nagpur, founding India’s first M.Arch. programme and introducing innovative pedagogy. He served as President of the Indian Institute of Architects (1992–1994). Choosing teaching over professional practice, he shaped generations of architects.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards