Creative Design Architects

The Spatial Stimuli – An Architect’s Office, at New Delhi, by Creative Designer Architects

Creative Design Architects

Creative Design ArchitectsAn architect’s office is a space that is conceived as a springboard for architectural dialogue, creativity and design. It should, hence unfold and interact in a way that its users feel connected with each other and the spatial setting around. A 2400 Sq. feet open, purely rectangular floor plan had immense potential to explore this aspect. There doesn’t exist a perfect definition of what causes ‘creativity’. However, a brief insight into human psychology and the way our minds respond to its surroundings could probably help shape the right kind of environment for an architect to work in.

Tracking the customary movement of the various end users in the space helped devise the zoning of functions on the floor plan. The entrance wait orients the visitor directly into the meeting room without protruding into the privacy of studio space. The director cabin sits far back in the South-western corner, allowing for a potential, central studio zone to exuberate energy into the entire space, making it the iso-centre of the office. This is surrounded by an open loop diverging along the East orientation, housing staff workstations. To further accentuate the experience, The table loop pulls up like a cloth along an axis, allowing people to walk around under it. The very move of passing through a flexible loop is meta-physically symbolized with enlightenment, which is supposed to happen through a small design library housed underneath. This visual axis extends in to the entrance wait via a thin linear puncture in the wall, creating a seamless coherent vista.

Creative Designer Architects
Layout Plan

“Curves are, in general felt to more beautiful than straight lines, They are graceful, pliable and lead to a burst of activity in the brain leading to innovation and experience” quotes a psychologist, Kate Cordon. The curved ‘Enlightenment galore’ is a spatial stimuli that is meant to evoke a dialogue in the user’s mind. This frozen energy is made to travel further, extending across all tables, pulling up wherever required and forming a seamless virtual experience. The areas where the table loop pulls up is housed with a collection of design books below, creating multiple spots of enlightenment. The open design with no ceilings and extra clear glass makes the office spatially expansive and functionally resourceful. The design of the meeting room is extremely fundamental, carrying forward the ‘stimuli’ of the studio in the form of a vertical panel seamlessly blending into a floating ceiling. The studio also has a number of flexible elements such as the ‘sliding white-boards’ which doubles up as privacy screens for the meeting room.

The entrance wait area is meant to be the most inviting and soothing spatial setting possible. The genuineness of raw exposed concrete all around and a seamless curved section attempts to interact with the soul. The space is further fused with energy by dint of yellow colored furniture and props. The project ‘display-book’ panel, each for every typology makes a statement right at the entrance along with a thin layer of moss emerging from the ceiling, where visitors can flip around pages to explore the portfolio in detail. The design of an architect’s office is more of an interior ‘architecture’ than ‘design’, traversing into the phenomenology of the space. It requires the innate aura of space and the materials to interact with the people and inspire.

Drawings:

 

Project Facts:

Design Team: Ravideep Singh, Mohanbir Singh, Maninder Kaur
Project location: DLF Prime Towers, Okhla Phase 1, New Delhi
Project Engineers: Gurpreet Singh, Anurag Shukla
Completion Year: 2017
Gross Built Area (square meters or square foot): 2,400 Sq. Feet
Photo credits: Suryan // dang
Architect’s website: www.creativedesignerarch.com

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards