KS Residence, Bangalore-Nithya Srinivasan

KS Residence, Bangalore-Nithya Srinivasan 1

The single family residence is an acute index of architectural experimentation, progress, aspirations, ambitions and perhaps even of individual whims and quirks. The design of the KS Residence reflects the Architect?s response to a host of issues: self-interest in the interior organization of spaces, dynamics of form and a contemporary expression of material combined with a strong desire for a minimalist intervention that contrasts with the capitalist consumption-based nature of society. On a 50? x 85? stand-alone site, the residence occupies the outer footprint permissible by law but at the same time, dematerialises the external envelope by large openings that allow continuity of exterior-interior gardens to the outer boundary. The 35? width of the enclosure is spanned across the end walls without any interior columns and the intermediate floor is suspended from the roof beams. This creates an interesting interior condition in which almost the entire house is internally visible from various vantage points. The open section brings the family closer ? visually, aurally, physically and hopefully emotionally.

At the same time, it addresses concerns of security through greater visibility of extreme points. The material palette employed is limited and comprises of exposed concrete [both plain and corrugated], white painted masonry or wooden surfaces, wooden slats and wooden / vitrified tile flooring. The house is organised into three ?sections? that are separated by two triple height spaces that are sky-lit. The first and third sections of the house are inter-connected by a structural steel bridge which negotiates the level difference between all the three sections. These sections have roofs at different heights and give the building a stepped sectional profile. The rear terraces accommodate a garden, a pool and solar panels whereas the front terrace over-looking the street is meant for gatherings. An interior garden on the first floor, tiled in black and red overlooks the den / home theatre. Gardens on the ground and at upper levels ensure that all rooms have views of greenery. The contemporary character of the house is strongly reinforced by the angular form, exposed materiality, landscaped spaces, minimal elements and an open interior section.

Facts:

  • Cost :150 Lakhs  INR
  • Area :Site Area: 4211sq.ft. | Built Up Area: 4790 sq.ft. SQ.M
  • Client / Owner :Karthik Visweswaraiah & Smitha Venkatesh

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Vision Pakistan, Pakistan by DB Studios 1

Vision Pakistan, Islamabad, Pakistan, by DB Studios

Vision Pakistan, a project by DB Studios recently recognized with the 2025 Aga Khan Award for Architecture. Set within Islamabad, Pakistan, the project offers a ‘second chance’ to disadvantaged males who have fallen into aggression, depression, drug use and/or crime.

Read More »
Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards