Cuckoo's Nest at Bangalore by Between Spaces

Cuckoo’s Nest, at Bangalore by Between Spaces Architects

The brief for Cuckoo’s Nest at Bangalore, for Between Spaces Architects, was to design a house that is simple, pragmatic and modern for ageing parents of the owners, the owners themselves and their two sons.
Cuckoo's Nest at Bangalore by Between Spaces

 

Cuckoo's Nest at Bangalore by Between Spaces

 

Cuckoo’s Nest is built on a corner plot measuring 45’x75’ with roads on the western and northern edge in a gated layout and surrounded by a silver oak tree and some palm trees. The brief was to design a house that is simple, pragmatic and modern for ageing parents of the owners, the owners themselves and their two sons. The entire narrative of this house is constructed around the idea of playfulness and pragmatism. The name Cuckoo’s Nest, alludes more to the playful imagery of Cuckoo’s clock. The proposed design interprets the typical layering in south Indian temple complex, where the inner sanctum is surrounded by layers of pillared verandahs and the outermost layer of tall fence. This layering helps in gradually taking people from the chaotic outdoors to the serene and quiet indoors in a sequential manner.

 

 

Programmatically, the house has 2 bedrooms for the old parents, living, dining and a pooja room on the ground floor. The first floor has the kid’s bedroom, a study and the master bedroom around a double height volume over the dining area on the ground floor. A small garden on the northern side, becomes an extension to the living room. This garden is enclosed within a brick jaali wall on the northern side, to ensure good cross ventilation and a certain degree of privacy from the road without making the space feel cramped. The entry to the house has been deliberately convoluted to make the inhabitants move through a green edged verandah sandwiched between the courtyard on its eastern side and the brick jaali wall on the western side of the property.

 

 

The kid’s bedroom on the first-floor juts out of the main mass and has been crowned by a pitched roof, clad in Sirra Grey Granite, allowing a small loft over the bathroom. This doubles as a cozy play area for the kids. The inherent honesty and simplicity of the house is reflected in the usage of terracotta bricks, form finish concrete, white walls, white marble and a very simple décor in the interior spaces. A deliberate transition in scale and materiality is created through the brick jaali wall and the low height form finish roof over the entrance verandah which acts as a threshold between the immediate surrounding and the interior. The verandah leads to a foyer space separated from the living with the help of a filigree screen finished in MDF and dark blue color paint. The foyer leads to the living room and the double height dining space, right in the center of the house.

 

Cuckoo’s Nest, at Bangalore by Between Spaces Architects 24

 

The interior spaces are kept very simple with selective walls finished in hues of blues and browns. The interior spaces are flooded with indirect and soft daylights through skylights over the staircase and deep-set windows. Cuckoo’s Nest is designed to be a sanctuary intended to resonate with the silence and quietude of a temple complex, yet be filled with the sounds of conversation between three generation.

 

 

Drawings

 

 

 

Credits:

Completion year : 2020

Design team : Shveta Mohan, Pramod Jaiswal & Divya E

Site area : 313.5 sq. mt.

Built-up : 565 sq. mt.

Other collaborators

Structural Consultant : Kalkura associates

Contractor : Ennkay constructions

Photo credits : Shamanth J Patil

One Response

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards