Weekend home in South Gujarat, Ahmedabad-Azmi Wadia

Weekend home in South Gujarat, Ahmedabad-Azmi Wadia 1

A weekend home for a Mumbai based family was to be designed within a lush mango orchard in South Gujarat. Towards the North?East, i.e. the furthest end of the site from the approach road was a raised mound on which no trees had been planted. The rest of the site was covered with fully grown Mango trees. Not wanting to cut any trees, we decided to locate the house at this point, also taking advantage of the low raised mound. The orchard was extremely lush and overwhelming in its beauty that maintaining a continuity of the outside with the interiors, particularly the living areas of the house, became the main guiding principle. Unfortunately, in order to view the orchard from our chosen location, the living areas would have to face the South-West, i.e. the harsh sun and fierce monsoon. A verandah was proposed facing the orchard which would act as a sit out for the occupants, while also allowing for maximum view. Protection from the sun and rain was proposed through a large sloping roof. A circular plan form with a single circular roof extending from the private spaces on the first floor to the verandah was explored so that the living, dining and verandah remain connected and seem to be part of one large space. The staircase is a large curve within a cylinder and opens to the living spaces.

It is lighted with diffused light coming from slits in the cylindrical volume and a sky-light. The sky-light also helps create an air shaft, continuously drawing fresh air in from the lower levels and expelling it from the top. The use of natural and rustic materials has been explored to create an environment appropriate to the rural setting as well as provide materials that are maintenance free. Rain ?water harvesting is integrated into the design: – All the sloping roofs have an inbuilt rain channel, which takes the water through pipes to the rain water collection tank; overflow from this tank goes into the well on site, used for irrigation of the orchard. – Water from the large circular roof is collected in a drain running at ground level, adjoining a pathway beyond the verandah. – The collected rain water filters through two filtration pits filled with pebbles and discharges into the water collection tank for general use by the occupants. Climatic Considerations: – Large sloping roof to the south-west, allows the breeze in, yet keeps the sun and rain out. – All sloping roofs are covered with cylindrical clay tiles (tailor tiles) to create a time lag for heat gain. – Cavity walls created in all the walls to the west prevent heat-gain. – The high roofs with windows at the upper levels aid warm air in escaping from the interiors. – A central sky-light helps create an air shaft, continuously drawing fresh air in from the lower levels and expelling it from the top.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards