Topsy Tury at Nagpur by Zeel Architects

Topsy-Turvy at Nagpur, by Zeel Architects

Situated on a small plot of 16.0 x 30.20 mts. And having an even smaller usable floor plate of about 13.20 x 21.60 Mts., the Topsy Turvy by Zeel Architects, building stands out from the neighbourhood, due to the geometric envelope holding jalis in it.
Topsy Tury at Nagpur by Zeel Architects

Topsy-Turvy at Nagpur, by Zeel Architects 1Situated on a small plot of 16.0 x 30.20 mts. And having an even smaller usable floor plate of about 13.20 x 21.60 Mts., this small building stands out from the neighbourhood, due to the geometric envelope holding jalis in it.

Located in the city of Nagpur, which has a tropical and dry climate with average temperatures ranging from 400 c to 480 c, the heat needs to be reduced or restricted from entering into the habitable spaces.

The building houses small office spaces in the 4 levels, which comprises of a Jewellery showroom on the ground and first floor, also, the second floor comprises of Kids Play Area and the third floor is a party hall with an electronic gaming zone.

There was Maximum light falling on the facade from the west side where the sunlight starts moving inside the spaces towards the latter half of the day, hence it was necessary to have internal spaces naturally cooler, for the children to play in the evening time.

To deal with the high temperatures of the Nagpur city, jalis were considered for the façade treatment of the building.

These jalis have been an integral part of the Indian rich cultural heritage, which can be still seen in the ancient wadas and palaces in the city. The blend of these traditional screens (jalis) and geometric shapes, give the whole building a look of modernism with the traditional elements imbibed in it.

The concrete screens around the building are supported by a steel framework with projections that vary from 0.3 to 0.9m. This creates an external periphery space for plants at each level that will act as further insulation from the external heat creating cooler spaces within.

The interior of the play zone and party hall were kept minimum and were made from the wastage of fabrication work used for the façade.

The concept of a jali exterior is to force the air through small openings, cooling air and increasing its force marginally. This element of traditional architecture in Rajasthan has been used to reduce heat gain, increase ventilation and reduce noise from the busy traffic outside.

Firm – Zeel Architects, Mumbai

Project Name – Topsy Turvy

Location – Nagpur, India

Design Team – Nimish shah, Priya Bafna

Plot Area – 483.20 smt

Gross Floor area – 1425.60 sqmt.

Project year – 2018

Main Contractor – Shikha Enterprise

Consultants – Arun Uttawar and Associates, Blue Star, Techno Deal Group

Client – Topsy Turvy

Project status – Completed

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »
Sen Kapadia

Nirbhaya Nirgun
“Sen [Kapadia] found his own light early. He followed it without apology and without detour, and never let anyone dim it.”
—A Tribute by Pinkish Shah

Pinkish Shah’s homage to Sen Kapadia, celebrates him as fearless and formless in both life and work. Intellectually rooted in Louis Kahn and Sri Aurobindo, Sen pursued architecture that transcended form toward essential silence. Known for his courage, he maintained quiet, unwavering independence throughout his career.

Read More »
Prof Shireesh Atmaram Deshpande

“Professor Shireesh Deshpande chose the far more difficult task: to mould young minds into thoughtful, responsible, and rooted architects.”—A Tribute by Sarbjit Singh Bagha

Sarbjit Singh Bagha shares his tribute to Prof. Shireesh Atmaram Deshpande (1934–2026), a pioneering figure in Indian architectural education who passed away on 10 April 2026 at 91. Known affectionately as “Dada,” he spent nearly four decades at VNIT Nagpur, founding India’s first M.Arch. programme and introducing innovative pedagogy. He served as President of the Indian Institute of Architects (1992–1994). Choosing teaching over professional practice, he shaped generations of architects.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards