Origami office is the administrative office space for a publishing house, since paper is the core material that is used within the premises. It is used as an inspiration to transform a standard grid structure into a dynamic space. The space is visualised as a plane that folds up at various places and offers niches of distinct size and character. To further enhance it, both natural and artificial lights are introduced at various levels and scales to create the dramatic effect.
In a recent development, the Council of Architecture (CoA) has issued a letter to Rajesh Advani, the Founding Editor of ArchitectureLive!, demanding the retraction of a previously published article on RTI.
The essay is the first of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India.
The book analyses the works of several contemporary, post-independence Indian architects to demonstrate that since independence, they have revitalized traditional architectural elements and techniques, drawing inspiration from India’s itihasa.
Vinod Gupta writes about the concept of thermal discomfort and its relation to air conditioning standards, arguing for a more flexible approach.
Athulya Aby writes about how social media has transformed architecture, making it accessible to the masses. While it offers opportunities for inclusivity and innovation, it also poses risks of superficiality and prioritizing aesthetics over function. The future lies in balancing online presence with real-world impact, according to Athulya.
The adobe house near Manchar, Maharashtra, designed by Shoonya Collaborative, perched on a Sahyadri plateau, offers views of agricultural fields and a winding river. Inspired by local vernacular architecture and the client’s memories, the design incorporates repurposed materials and traditional techniques.
Karishma Rao, co-director of the documentary “Kanade,” honors the memory of renowned architect Navnath Kanade. Sharing personal anecdotes, she reflects on his life and work, particularly his time at Laal Ghar, highlighting his wit, wisdom, and passion for architecture.
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