EVENT — FRAME 2025 | AUTHORING 01: To Draw

Studio Matter invites everyone to register for the 2025 FRAME conclave in Goa, on Oct 2, 3, 4, 2025, which will deliberate on the multiple and diverse approaches towards the one central idea at the core of creative practice: 'To Draw'.

SHARE THIS

EVENT — FRAME 2025 | AUTHORING 01: To Draw 1

Even in its most formal of interventions, architecture involves an act of AUTHORING. This act, rooted in intent, ambition, and the immediacy of process, allows one to engage with the process not just as a means to an end but as a space of critical inquiry and imagination. At its core, architectural thinking is dialogic, interpretive, and reflective; an essential dimension of both academic exploration and professional practice.

FRAME 2025 will engage with the question of DRAWING as an act of authorship that is both reflective and projective. Drawing has always been connected to questions of positions and vantage points (real and thematic). In its variable role, it is not a static idea but a process that associates, relays, and accumulates through the imaginaries of representation, interpretation, archiving and documentation. 

At the National Institute of Oceanography in Panaji, Goa, the programme is outlined through lectures, discussions and films. The schedule brings together diverse perspectives from authors such as Sanjay Mohe, Niall McLaughlin, Shubhra Raje, Bijoy Ramachandran, Mohan Rao, Orijit Sen, Vishwa Shroff, amongst others, spanning disciplines of art, architecture, design and visual culture. 

The registration and programme details are available below.

EVENT — FRAME 2025 | AUTHORING 01: To Draw 3

About FRAME 2019

Conceived as a forum to provoke thought on issues pertinent to the practice of architecture in India. 2025 is the second edition of the conclave.

The inaugural edition in 2019, thematically focused on Modern Heritage. It sought to reflect on the timeframe between the years 1935 and 1995, which foregrounded a vocabulary for architecture and design that subscribed to the framework of international modernism and yet was rooted in the physical and metaphysical realms of India.

The emerging panorama of ideas and images offered a glimpse into the strongholds that form a narrative for the idea of modernity in India and its subcontinent. The conclave witnessed participation from around 650 delegates, architects and architecture students from across India.


About FRAME:

FRAME is instituted as an independent, biennial professional conclave on contemporary architecture in India, curated by Matter and organised in partnership with the Takshila Educational Society. Over three days in October, the 2025 conclave in Goa will deliberate on the multiple and diverse approaches towards the one central idea at the core of creative practice: ‘To Draw’. 

Like what we publish?

AUTHOR

ArchitectureLive!
ArchitectureLive!
Profile and Contributions

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent Posts

House in Corjuem, Goa by Field Atelier 25

House in Corjuem, Goa, by Field Atelier

The house is located in the village of Corjuem in the North of the state of Goa, India. The existing vegetation and the proposed plan to introduce gardens led to the possibility of the story changing as per seasons. The house is therefore imagined as a pavilion or a stage to view the gardens and its seasonal unfolding.

Read More »
Vision Pakistan, Pakistan by DB Studios 1

Vision Pakistan, Islamabad, Pakistan, by DB Studios

Vision Pakistan, a project by DB Studios recently recognized with the 2025 Aga Khan Award for Architecture. Set within Islamabad, Pakistan, the project offers a ‘second chance’ to disadvantaged males who have fallen into aggression, depression, drug use and/or crime.

Read More »
Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards