Cardamom Club, at Thekkady, Kerala, India, by Kumar La Noce

Cardamom Club at Thekkady, Kerala, India by Kumar La Noce

Set amidst expansive Cardamom plantations on steep terrain areas in Thekkady, Kerala, a set of cabins have been designed to nestle within a sea of green.  Responding to a brief for a boutique resort, the project includes five independent cabins, an outdoor pool with adjacent stepped decks and a spa block divided into three interconnected volumes all raised on stilts. - Kumar La Noce
Cardamom Club, at Thekkady, Kerala, India, by Kumar La Noce

Cardamom Club at Thekkady, Kerala, India by Kumar La Noce 1

Set amidst expansive Cardamom plantations on steep terrain areas in Thekkady, Kerala, a set of cabins have been designed to nestle within a sea of green.  Responding to a brief for a boutique resort, the project includes five independent cabins, an outdoor pool with adjacent stepped decks and a spa block divided into three interconnected volumes all raised on stilts.

 

The 40 sq.m cabins feature floor-to-ceiling wood-framed openings that are composed and designed to enhance the impact of the dramatic views while ensuring privacy between the units. The cabins open out to generous decks to embrace and experience the feeling of belonging to the surrounding plantation.

 

The structures are envisioned as light and elegant floating volumes in order not to disturb the natural harmony. They are crafted primarily out of rich reddish hardwood sourced from sustainably managed plantations. Inspiration comes from quaint shops and structures dotting the plantation landscape surrounding the property, which features framed glass enclosures and simple wooden furnishing.

 

The interiors are minimal and yet sophisticated, keeping the focus on the dramatic setting. Hand-crafted teak wood and rattan furniture and rice paper light fixtures complement the rich wood-paneled surfaces. The ensuite bathroom is compact and raw, with locally sourced black granite counters and a shower area featuring a ‘porthole’ window framing the views beyond.

 

The overall design has been an exercise in balancing luxury and elegance with quietness and restraint.

 

Drawings –

 

Project Facts –

Project Location: Thekkady, Kerala, India

Completion Year: 2017

Gross Built Area (square meters or square foot): 500 sqm

Lead Architects:  Bhavana Kumar, Nicola La Noce

Other participants

(eg. collaborators, clients, consultants, etc):

Structural Consultant: Manjunath & Co

Landscape Consultant: Earthline Consultants

Photo credits: Vivek Muthuramalingam, Kumar La Noce, Salim Pushpanath

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Folles de la Salpétrière, (Cour des agitées.) (Madwomen of the Salpétrière. (Courtyard of the mentally disturbed.))

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

Did these spaces heal women or teach them how to disappear? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in this chapter follows hysteria as it migrates from text to typology, inquiring how architectural decisions came to stand in for care itself. Rather than assuming architecture responded to illness, the inquiry turns the question around: did architecture help produce the vulnerability it claimed to manage?

Read More »
Gender, Hysteria, and Architecture - The Witch Hunt. Henry Ossawa Tanner. Source - Wikiart

Gender. Hysteria. Architecture. | “When Did Care Become Confinement?”

Was architecture used by society to spatially “manage” women and their autonomy? Aditi A., through her research study as a part of the CEPT Writing Architecture course, examines the period before psychiatry, when fear had already become architectural, tracing how women’s autonomy was spatially managed through domestic regulation, witch hunts, informal confinement, and early institutional planning.

Read More »

A Modernist’s Doubt: Symbolism and the Late Career Turn

Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.

Read More »
Ode to Pune - A Vision. © Narendra Dengle - 1

The City That Could Be: An Ode to Pune

Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities

Read More »

Featured Publications

New Release

We Are Hiring

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers