Kirtee Shah on architecture profession at CEPT University alumni meet

“… the way architecture [profession] is perceived and practised, it needs to move from the pedestal to the ground.”—Kirtee Shah

February 6, 2026

In his presentation at the CEPT Alumni Meet, in January 2026, Kirtee Shah offers “something to think about” for the architects and planners regarding the future of architecture profession. He urges architects to relearn and refocus on service, sustainability, and inclusivity while addressing urban chaos, poor housing, rural neglect, and climate challenges.

GAZEBO on a Terrace, Satara, Maharashtra, by Studio Montage

February 6, 2026

GAZEBO on a Terrace is a 3,000 sq.ft. Terrace residence near Nagthane, Satara, Maharashtra, designed by Studio Montage, lightweight rooftop residence designed as a floating intervention above an existing banquet hall.

“It was in Shankar Kanade’s nature to be so humble, never commanding the young, but co-working with them.”—Sathya Prakash Varanashi’s tribute to Shankar Kanade

February 1, 2026

Sathya Prakash Varanashi shares a heartfelt tribute to architect Shankar Kanade, highlighting his architectural philosophy, mentorship, humility, and lasting influence on design thinking and his practice.

Seher Shah and Randhir Singh, Studies in Form, Akbar Bhavan (#3), 2018, cyanotype print on Arches Aquarelle paper, edition of 5, 22 x 30 in

Brutalist India | Akbar Bhawan, New Delhi

January 24, 2026

As part of Brutalist India series Bhawna Dandona writes about Akbar Bhawan, in New Delhi.

Folles de la Salpétrière, (Cour des agitées.) (Madwomen of the Salpétrière. (Courtyard of the mentally disturbed.))

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

January 23, 2026

Did these spaces heal women or teach them how to disappear? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in this chapter follows hysteria as it migrates from text to typology, inquiring how architectural decisions came to stand in for care itself. Rather than assuming architecture responded to illness, the inquiry turns the question around: did architecture help produce the vulnerability it claimed to manage?

Brutalist India | Nehru Memorial Museum and Library, 1969 - Rear side of view of the library. Credits - Kshitij Rana for MM Rana

Brutalist India | Nehru Memorial Museum and Library, New Delhi, 1974

January 12, 2026

As part of Brutalist India series, Bhawna Dandona writes about Nehru Memorial Museum and Library, 1974, in New Delhi.

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Recent Posts

“… the way architecture [profession] is perceived and practised, it needs to move from the pedestal to the ground.”—Kirtee Shah

GAZEBO on a Terrace, Satara, Maharashtra, by Studio Montage

“It was in Shankar Kanade’s nature to be so humble, never commanding the young, but co-working with them.”—Sathya Prakash Varanashi’s tribute to Shankar Kanade

Brutalist India | Akbar Bhawan, New Delhi

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

Brutalist India | Nehru Memorial Museum and Library, New Delhi, 1974

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Call For Entries: YArC LOGO DESIGN COMPETITION 2021

Like what we publish?

ALive! Content

Follow us on WhatsAPP

Leave a Reply Cancel reply

Recent Posts

“… the way architecture [profession] is perceived and practised, it needs to move from the pedestal to the ground.”—Kirtee Shah

GAZEBO on a Terrace, Satara, Maharashtra, by Studio Montage

“It was in Shankar Kanade’s nature to be so humble, never commanding the young, but co-working with them.”—Sathya Prakash Varanashi’s tribute to Shankar Kanade

Brutalist India | Akbar Bhawan, New Delhi

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

Brutalist India | Nehru Memorial Museum and Library, New Delhi, 1974

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