Walking Man II - Design Dalda

Keep Walkin – Alberto Giacometti’s masterpiece by Peeyush Sekhsaria

Walking Man II is part of the famous series of six Walking Man sculptures in which Alberto Giacometti (1901-66), a highly feted Swiss sculptor and one of the greatest artists of the 20th century created an epitome of the human condition. - Design Dalda
Walking Man II - Design Dalda
Walking Man II - Design Dalda
Walking Man II – East Wing – National Gallery of Art, Washington DC Photo ©Design Dalda

Walking Man II is part of the famous series of six Walking Man sculptures in which Alberto Giacometti (1901-66), a highly feted Swiss sculptor and one of the greatest artists of the 20th century created an epitome of the human condition. Giacometti’s walking man is on his own, he doesn’t look at you, he is on his way, his posture – that of a walking man, his expression – full of purpose, his gaze – fixed on the distant horizon, the future – a distant one, even a difficult one, determined he strides decisively, forward in order to discover, to understand, as if he has a goal to pursue, the rough texture – of a man of the soil, of hard work. Impenetrable yet disconcerting, this figure exalts a universal impact which exerts an intriguing fascination on the spectator.

 

I discovered Giacometti in photographs taken by French master Henri Cartier Bresson, two images stayed with me, in one Giacometti is walking in his studio with one of his Walking Man sculptures on his right and another more erect, static sculpture to his left and in another Giacometti is crossing a street on a wet rainy Parisian day with a raincoat partly hung over him. While I finally got to see Walking Man II, placed somewhat nonchalantly in the connecting corridor of the East Wing of the National Gallery of Art, Washington DC, I wanted to make sure that my phone captures a decent image of the masterpiece, I waited for people and clicked as they walked past, this image gave me some sense of satisfaction.

For those interested in reading more about Giacometti this link is quite comprehensive https://www.fondation-giacometti.fr/en Incidentally in 2010, ‘Walking Man I’ in a Sotheby auction sold at a sum of 104.3 million USD which at today’s rates comes to a whooping INR 700 crore.

-Design Dalda

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Folles de la Salpétrière, (Cour des agitées.) (Madwomen of the Salpétrière. (Courtyard of the mentally disturbed.))

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

Did these spaces heal women or teach them how to disappear? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in this chapter follows hysteria as it migrates from text to typology, inquiring how architectural decisions came to stand in for care itself. Rather than assuming architecture responded to illness, the inquiry turns the question around: did architecture help produce the vulnerability it claimed to manage?

Read More »
Gender, Hysteria, and Architecture - The Witch Hunt. Henry Ossawa Tanner. Source - Wikiart

Gender. Hysteria. Architecture. | “When Did Care Become Confinement?”

Was architecture used by society to spatially “manage” women and their autonomy? Aditi A., through her research study as a part of the CEPT Writing Architecture course, examines the period before psychiatry, when fear had already become architectural, tracing how women’s autonomy was spatially managed through domestic regulation, witch hunts, informal confinement, and early institutional planning.

Read More »

A Modernist’s Doubt: Symbolism and the Late Career Turn

Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.

Read More »
Ode to Pune - A Vision. © Narendra Dengle - 1

The City That Could Be: An Ode to Pune

Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities

Read More »

Featured Publications

New Release

We Are Hiring

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers