The Souk - Dubai Design week by Collaborative Architecture

The Souk – Installation at the Dubai Design week, by Collaborative Architecture

The geometry of the pavilion is derived from the most common element, seen widely, in some of the most popular Islamic murals / patterns that adore some of the iconic architecture in the Islamic world- The Decagon. - Collaborative Architecture
The Souk - Dubai Design week by Collaborative Architecture

Dubai Design Week Installation

The Souk – Installation at the Dubai Design week, by Collaborative Architecture 1

The souk‘ is a cluster of three identical pods, straddling between an installation as a construct, and a space, as it purportedly creates a smaller version of the ubiquitous, Middle Eastern bazaar; an urban microcosm, where the network of people and commerce create the unique urban character. ‘The Souk’ takes its inspiration from this, and tries to re-interpret it in the temporary setting of the exhibition.

The Souk – Installation at the Dubai Design week, by Collaborative Architecture 3

The geometry of the pavilion is derived from the most common element, seen widely, in some of the most popular Islamic murals / patterns that adore some of the iconic architecture in the Islamic world- The Decagon.

The Souk‘ transforms the ‘two dimensional’ Decagon into a seemingly complex, but, easy to build, three-dimensional construct. The decagons have been layered vertically to create a dynamic space, which showcases the structural, material and the poetic possibilities in timber and the sophisticated detailing of structural joinery in timber architecture. The pavilion is completely pre-fabricated and assembled at site over a period of two days.

The three decagon spaces create a cluster, like a ‘mini-Souk’, each space acting as space for networking / exhibits.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Folles de la Salpétrière, (Cour des agitées.) (Madwomen of the Salpétrière. (Courtyard of the mentally disturbed.))

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

Did these spaces heal women or teach them how to disappear? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in this chapter follows hysteria as it migrates from text to typology, inquiring how architectural decisions came to stand in for care itself. Rather than assuming architecture responded to illness, the inquiry turns the question around: did architecture help produce the vulnerability it claimed to manage?

Read More »
Gender, Hysteria, and Architecture - The Witch Hunt. Henry Ossawa Tanner. Source - Wikiart

Gender. Hysteria. Architecture. | “When Did Care Become Confinement?”

Was architecture used by society to spatially “manage” women and their autonomy? Aditi A., through her research study as a part of the CEPT Writing Architecture course, examines the period before psychiatry, when fear had already become architectural, tracing how women’s autonomy was spatially managed through domestic regulation, witch hunts, informal confinement, and early institutional planning.

Read More »

A Modernist’s Doubt: Symbolism and the Late Career Turn

Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.

Read More »
Ode to Pune - A Vision. © Narendra Dengle - 1

The City That Could Be: An Ode to Pune

Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities

Read More »

Featured Publications

New Release

We Are Hiring

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers