The Riparian House, at Karjat, Maharasthra, by Architecture Brio

Architecture Brio designs Riparian house in Karjat, Maharashtra

The Riparian House, at Karjat, Maharasthra, by Architecture Brio 1

Riparian:
adj. 1. Of, inhabiting, or situated on the bank of a river

  1. A dweller on the bank of a river
  2. 3. Denoting or relating to the legal rights of the owner of land on a riverbank, such as fishing or irrigation

Not a long drive away from Mumbai, a mountainous landscape rises up, called the Western Ghats. From this UNESCO world heritage area, numerous rivers and streams find their way down through an undulating landscape eventually feeding into the Bombay bay. The Riparian House is placed just below the top of a hillock at the foothills of the Ghats. The top of a vegetated roof merges with the top of the hillock, hiding the house from the approach on the east side. Inside the house one can nevertheless enjoy the views to the north of the Irshalgad hill fortress and towards the west the sunset while the river winds its way across the agricultural fields.

Since the most of the site is steeply sloping with a 1:4 gradient, the vegetated roof gives the house an additional usable area. From the top it seems to be an extension of the natural landscape, enhancing the under-statedness of the house. The green cover serves to keep the house below cool due to its insulative properties. Along the central axis of the house landscaped steps lead you along a coarsed stone wall towards the pool deck. A second set of steps connects to the main level of the house where the axis culminates via the dining room and kitchen into a light filled courtyard. The experience of being inside the earth is enhanced through the stone boulders which were discovered during the excavation process and retain the earth. The kitchen occupies a central position along with the open to sky courtyard and is flanked on either side by two bedrooms at the two far ends. These spaces are embedded in the earth with windows brining in ample light from above and the river side. A master bedroom, bathroom, dining and living area sit along the front, a more open face of the house. Both the living room in the western corner of the house and the master bedroom in the northern corner enjoy panoramic views to the river. Galvanized steel mullioned windows break down the scale of the front façade of the house. A rhythmic row of bamboo poles is placed at close intervals in front of the house to create a layer of privacy without obstructing the spectacular view of the river and the mountains beyond. The bamboo enclosure creates a dialogue between the interior and the dramatically changing landscape.

The natural landscape changes from a dense brightly green coloured jungle-like forest during the monsoon months to a pale brown shrubby wasteland during the dry and hot summer months. The plantation of drought tolerant fountain grasses mitigates this transition to a a dry landscape, while also relating to the riparian landscape that exists along the river. The building has to respond to these extreme conditions by allowing enough shade and breeze during the summer and providing a waterproof indoor environment during the stormy monsoons. The screen of bamboos creates an ever-changing pattern of light and shadow throughout the seasons and times of the day, making the building a ‘sensor’ of light.

The walls are build in Indian limestone in a coarsed pattern, which make the house seem to rise out of the ground giving it a solid base. This is contrasted by the lightness of a suspended timber deck verandah which surrounds the house on three sides. The covered verandahs allow for comfortably ventilated and shaded semi-indoor spaces. Internally the timber floor continuous as a border around various patterned natural stone floors. In front of the living room the deck extends to form a large outdoor deck with a panoramic view of the surrounding landscape.

Drawings:

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards