The Grey Matrix, at Mumbai, by Studio NACL

The Grey Matrix, at Mumbai, by Studio NACL

Located in the bustling area of Lower Parel, this 750 sq. ft. site with a 500 sq. ft. mezzanine, is situated in an industrial estate composed of narrow unkempt passages and minimal natural light penetration. Nestled amongst this raw development, the site was transformed into a vibrant office space for an event management company with an employee strength of 15, 2 director cabins, a conference room and a storage room. - Studio NACL
The Grey Matrix, at Mumbai, by Studio NACL

The Grey Matrix, at Mumbai, by Studio NACL

 

Located in the bustling area of Lower Parel, this 750 sq. ft. site with a 500 sq. ft. mezzanine, is situated in an industrial estate composed of narrow unkempt passages and minimal natural light penetration. Nestled amongst this raw development, the site was transformed into a vibrant office space for an event management company with an employee strength of 15, 2 director cabins, a conference room and a storage room.

 

 

Since the nature of work of the client required an office space that seemed corporate, yet quirky and could be occupied comfortably for long hours, these parameters defined the dominating framework for design. The client’s daily business involved numerous products and samples that required a sound system and space for storage; it was therefore a prerequisite to ensure that the office space was clutter-free at all times. The design, as a result, is a mix of modern and functional office spaces mixed with subtle rustic finishes such as wooden tiles with an antique washed-out look, distressed veneer on furniture and concrete texture on walls. In accordance with the theme, the bathroom is finished in an antique finish with rough stone cladding.

 

 

As one steps into the office, from the narrow and dull industrial estate corridors, the vibrancy and contrast of the space refreshes and welcomes the visitor. The design scheme explores colours and textures. By introducing varied textures within the same colour tones, the space is a mix of subtle variety and dynamism.  The subtle pops of blue add stimulating details to the space as well as reflect the brand identity. Since the space does not receive a lot of natural light, a palette of various shades of greys has been selected over darker colour palettes. Marmorino textured walls in grey, along with storage cabinets in grey back painted glass, along with the frosted glass all act in adherence to the decided colour scheme.

 

 

Linearity and a dominant monotone colour scheme forms the main elements of the design as well as the layout. Straight distinct lines not only demarcate zones, but also lead to the efficient utilisation of space by generating a grid-like partition system. The partitions have been clad with back painted glass, so that they double up as writing boards, and the storage units are located along the walls, with floor to ceiling height, seamlessly concealed with back painted glass as well, making the surfaces easy to clean as well as maximising the space available. This linearity is extended into smaller elements such as the slatted pattern reception table in accord with the overriding design theme.

 

 

As one enters the office, the mezzanine has been reduced by a third to create a double-height reception, a waiting area and the workstation space.  The space then narrows down as one moves into the private cabins and meeting rooms. The lobby becomes the introduction to the entire space as one can view the layout span in front of them. The spatial planning and layout ensure an efficient use of real estate by focussing on creating maximum central area for the office and minimal passage space. The mezzanine houses the conference room as well as the storage space, whereas the area below the mezzanine houses the director’s cabin and utility spaces like the bathrooms and the pantry.

Each space has its own character, while remaining consistent with the design scheme, from two-toned veneer table for the conference room to the bold blue sofa in the director cabin, or the bright quirky tiles in the bathrooms, or in the form of colour blocking patterns on wall storage and additional details. Customisation, as well, has been an essential element in the design process. A pastel-hued 3d form wall art for the reception area was crafted with MDF panels, designed bespoke for the site. Another instance of customisation in the project is the 8 ft wide chandelier crafted in metal that can be experienced from the conference room as well as the reception area.

 

Drawings – 

 

Project Facts –

Location: Mumbai

Completion date: January 2018

Title of Your Project.: The Grey Matrix

Select project category: Commercial Building

Project Status: Completed

Project Location: Lower Parel, Mumbai

Name of the Firm: Studio NACL

Name of the Principal(s): Natasha Aggarwal

Typology: OFFICE

Name of Client: VPLAN UNLIMITED

Name of Client’s Firm: VPLAN UNLIMITED

Site Area (sq ft & sq m): 1100 sft / 102 sqmt

Start Date: SEPT 2017

Completion Date: JAN 2018

Photographer: PULKIT SEHGAL

PRODUCTS / VENDORS

Glass  – Glass Kraft

Sanitary ware / Fittings  – Jaquar

Flooring – Belleza

Fixed furniture – on site

Sofa –NACL

Chairs – Star Decor

Air Conditioning – Mitsubishi

Studio Licht- led lights

NACL – Starburst chandelier

Basic paint – Asian paints

Textured paint–Micasa/ San Marco

CONSULTANTS

Electrical – Prithvi power net

Civil        – Manish Interior

HVAC    – Weather cool

Plumbing – Manish Interior

CONTRACTORS

Electrical – Prithvi power net        

Civil      –  Manish Interior

HVAC    – Weather cool

Plumbing –Manish Interior

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards