Jaimini Mehta

Diwan-i-Khas at Fatehpur Sikri. Image by Manfred Sommer

“If the received wisdom of this Western historiography is Eurocentric and subjective, how do we trace the evolution of architectural consciousness in India?”—Jaimini Mehta

The essay is the second of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India. He explores how colonial perspectives distorted Indian architectural history, arguing that indigenous architectural theories existed beyond Eurocentric interpretations, with the mandala symbolizing a deeper conceptual understanding of cosmic and spatial design.

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Jaimini Mehta - Architecture and History

“Unless you ask these questions, you will not realise that it is not history but the perception of history that needs to be revisited.”—Jaimini Mehta

The essay is the first of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India.
The book analyses the works of several contemporary, post-independence Indian architects to demonstrate that since independence, they have revitalized traditional architectural elements and techniques, drawing inspiration from India’s itihasa.

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Non Aesthetic Modernity

“Mehta’s discourse exemplifies authorship and individuation… ” Rajat Ray reviews Jaimini Mehta’s book titled ‘Non-Aesthetic Modernity: Metaphysics of Modern Architecture’

Rajat Ray reviews the book ‘Non-Aesthetic Modernity: Metaphysics of Modern Architecture’, authored by Jaimini Mehta. In the book, Mehta argues that modernity is not limited to the radical modernist movement and the ideology of “modernism” that emerged in Europe during the 18th century.

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