Event | Kaalchakra / कालचक्र — Exhibition by OSA Studio at London Design Festival 2025

‘Kaalchakra’ / 'कालचक्र', exhibition by OSA Studio, curated by Daksh Goel and Oishi Roy Dutta for London Design Festival 2025, draws from South Asian cosmologies and ecological rhythms, exploring the relevance of cyclical time in understanding existence through the works of twenty-four artists.

SHARE THIS

‘Kaalchakra’ explores the relevance of cyclical time in understanding existence. What if time doesn’t move forward, but turns? What if experiences, emotions, and memories aren’t linear threads, but seasonal returns that shape our sense of self within a continuous, living rhythm?

This exhibition draws from South Asian cosmologies and ecological rhythms, where time is understood as a cycle rather than a line. In these traditions, the Kaalchakra, or the wheel of time, is an ever-turning force that echoes the rotations of the Earth, the phases of the moon, and the pulse of breath and blood. It resists the modern notion of time as linear, where events, memories, and experiences have clear beginnings and ends.

In trying to control and measure time, we have fallen out of sync with the very cycles that sustain us. This dissonance is felt in our bodies, our ecosystems, and our collective psyche.

Kaalchakra proposes a return to rhythms that inhabit every organic system, in the hope of reconnecting with our internal cycles. Twenty-four artists respond to these ideas through sound, sculpture, installation, and image. Their works evoke the textures of rain, heat, decay, stillness, and bloom. This framework, unfolding over a continuous 24-hour loop, invites the viewer to experience time as breath, as tide, as repetition with variation. Art and design serve here as engines to activate these enduring ecological rhythms. Rather than presenting time as something to chase or conquer, this exhibition offers it as something to inhabit. To live cyclically is to allow space for return: emotions, memories, and selves. Kaalchakra does not seek resolution.

About the Exhibition

Curators: Daksh Goel, Oishi Roy Dutta
Exhibition Design: OSA Studio
Artists: Adriette Myburgh, Afrasinei Alexandra Maria, Alejandra Miguel Dada, Anais Öst, Ankita Kashyap, Ece Batur, Hamza, Harith Wilson, Jasmine Dhika, José Cárdenas Lorca, Junghun Lee, Kai Yan Cheung, Lang Jin, Marleigh Belsley, Meet Ahluwalia, Nikhar Yadav, Ross Deeley, Sadie Amelie Rees, Sakshi Sharma, Sham Salim (Aslam Sham Architects),
Shubhangam Singh, Shubhangi Saxena, Victoria Kosasie, Yihan Pan

Exhibition Details

Private View
14th September 2025, Sunday — 3:00 pm – 8:00 pm
15th September 2025, Monday — 9:00 am – 8:00 pm

Asylum Chapel,
Caroline Gardens, Asylum Rd,
London, SE15 2SQ

For further information, quotes and other inquiries. contact OSA Studio
Email: onscreenartstudio@gmail.com
Phone Numbers: +44 7472115885, +91 9891769176


About the Curators:

Kaalachakra exhibition curators - Daksh Goel, Oishi Roy Dutta
Daksh Goel
Oishi Roy Dutta

Daksh Goel is an architect and designer exploring the intersection of nature, materials, and technology. He is the founder of OSA Studio, an architecture firm based in New Delhi, India. His work has been featured in over 25 publications, and his recent project, The Bee Initiative, was exhibited at Somerset House, London. Inspired by ecological behaviours, such as how bees construct hives or how materials evolve, his work blends organic forms with tools like 3D printing and laser cutting.

Oishi Roy Dutta is a multi-medium artist and art director based between London and New Delhi. Her practice explores the human experience within rapidly shifting technological, emotional, and socio-political landscapes. She has worked across global art institutions, grassroots initiatives, and luxury brands, with projects including The Nourishment Project’s opera NIRAKAR, Sunita Shekhawat, India Art Fair, and collaborations with emerging musicians and fashion houses.

Like what we publish?

AUTHOR

ALive! Content
ALive! Content
Profile and Contributions

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent Posts

Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »
Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women? 4

Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women?

What kinds of spaces exist where women can breathe without being watched? If hysteria no longer exists as a diagnosis, why does its architecture remain? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in the third and last chapter of this series follows the spatial logics that developed to manage hysteria, which continue in the contemporary environments of care safety, and everyday life. If the diagnosis has been discredited, what explains the persistence of its walls?

Read More »
Kirtee Shah on architecture profession at CEPT University alumni meet

“… the way architecture [profession] is perceived and practised, it needs to move from the pedestal to the ground.”—Kirtee Shah

In his presentation at the CEPT Alumni Meet, in January 2026, Kirtee Shah offers “something to think about” for the architects and planners regarding the future of architecture profession. He urges architects to relearn and refocus on service, sustainability, and inclusivity while addressing urban chaos, poor housing, rural neglect, and climate challenges.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards