The previous post on the state of architectural competitions in India has received tremendous response from the architectural fraternity. The sentiment around the competition is pretty much universal, most architects are on the receiving side of a totally disappointing experience. This article is a continuation of the previous article, with two more architects sharing their experience. In case you have missed the previous article, it can be found HERE. - Grand Juries and No Buildings - Part 2, with Ankon Mitra and Anuj Mehta
The previous post on the state of architectural competitions in India has received tremendous response from the architectural fraternity. The sentiment around the competition is pretty much universal, most architects are on the receiving side of a totally disappointing experience. This article is a continuation of the previous article, with two more architects sharing their experience. In case you have missed the previous article, it can be found HERE.
“The Noida Authority launched a Children’s Traffic Park competition and a District Sports Centre competition concurrently in late 2006/ early 2007. We registered as a Team of three individuals Aashish Garg, Sanhita Chaturvedi and myself. The Traffic Park site was 8 acres on the Noida-Greater Noida Expressway and the briefs were fairly elaborate for both competitions. We picked up the complete competition dockets from the Noida Authority office as they were available only as brochures. To our great surprise, we won First Prize in the competition of the Children’s Traffic Park. This was communicated to us on telephone and we were asked to come and meet the CEO of the Noida Authority.
We were informed that only a firm/registered company/studio would be awarded the project. We decided quickly and established Hexagramm Design Workshop in April 2007. Elections in Uttar Pradesh led to the change of government in May 2007 from the SP to the BSP. The project was shelved. Last heard, the project was being revived again in 2013 after the government had again changed in 2012 from the BSP back to the SP. A competition was again being planned.
This kind of farce is fairly common both with government/development authorities and with large developers who float big open competitions, and then the project plans are shelved without even the courtesy of a formal announcement as to the reasons for the same. The award of a First Prize or any other prize is also usually meaningless, as political interference and the tendency for bribe-taking and giving at the bureaucratic level or higher can jeopardize the intent of a competition at any time. In fact the simple whim of an individual in some decision-making role can jeopardize a competition. I strongly feel, competitions must have legal sanctity and authority. Just as someone cannot scrap an election result without first challenging it in a court of Law, competitions should not be scrapped after they have been concluded and entries have come in. If for any reasons they are shelved or scrapped or significantly modified, the authorities who floated such a competition in the first place should be legally liable and answerable in court and to the public at large (and especially to those who spent precious weeks and months creating and submitting the entries). Any less, and we will never build anything of any merit through democratic means in the present or in the future in our country. “
He also has a suggestion on how to improve the situation,
“I would suggest a ‘Design Competitions Commission of India’ or DCCI. It would act as a Statutory Body with which a Competition would need to get registered to have any validity. If a competition is not registered with the DCCI, it would be invalid and no one in India would want to take part in a such a competition. It would be like an ISI Mark for any design competition that an Indian organization would like to hold. The registration would rely on a set of norms called the ‘Design Competition Code’ or DCC. Any competition that does not follow the basic norms of the DCC would not be given registration by the DCCI.
Once registered, the competition would not be able to go back on its terms of reference, rules and the DCC that would govern it. Scrapping or significantly modifying the goals of a Design Competition after it is held, would automatically make the Organization or individual that floated the competition liable for financial penalties as deemed fit by the DCCI. The verdict of the DCCI would be binding.
All Design Organizations in the country such as the SPAs, CEPT, JJ, NID, ADI, IIID, IIA, COA and many more should come together to establish this nodal body for the health and well being of the design competition ecosystem of the country in the future. Otherwise, nobody in the future would take part in any competition, as even now the design community’s trust in the validity of design competitions currently stands completely eroded. “
It has also emerged that in many cases there have been demands for bribery from the winning architects to secure the work order for the projects. On a similar note Anuj Mehta, an architect based in Delhi, shared that their firm, Anuj Mehta Architects has just stopped partcipating in government competitions, because of two bad experiences. His statement below:
We participated in the Architectural design competition of NAAC campus at Bangalore in 2003 . We were informed verbally that we have won the competition . However the following day we were informed that the result had been withheld due to some issue. A week later when the result was finally declared , we were given the Second prize and a Bangalore based Architect was given the First prize. We wanted to fight for this, but were advised by the seniors in the profession that it was how things happen in architectural competitions in India.
After a gap of five years we participated in the competition for DDA housing at Dwaraka in 2008 . This time we were declared the winners in the design stage by a panel led by the then chief Architect Mr Dewan. However the Executive Engineer of the zone made us run around so much for awarding the contract that we gave up in disgust and walked away from architectural competitions forever.
Anuj Mehta also shared his entries along with the details of the competition. Below:
NAAC Site Plan
The other alarming aspect of competitions is the fact that it is the credibility of the jury that is put at stake for vested interests of promoters or other people involved in the project. While it may not harm the project, it may keep all respected professionals away from becoming a part of such juries in the future.
On a closing note, ArchitectureLive! advises all grieving professionals to reach out to bodies such as CoA and IIA. In case no resolution is reached, legal remedy must be sought. The sacrifice of time and some resources today would definitely help in making a better tomorrow.
Vinod Gupta, of Opus Indigo Studio reflects on the evolution and challenges of the Indian architectural profession, emphasizing the need for architects to reclaim responsibilities beyond design to revitalize the industry’s trajectory.
Grid, Bangalore, by ma+rs, redefines institutional architecture by addressing the shortcomings of conventional office designs in the Indian context. Through a thoughtful fusion of form and function, the building seamlessly integrates public, private, and collective spaces across its distinct volumes.
Thapar University, DesignPlusArchitecture by was redefined by infusing traditional and modern elements. At the forefront stood the majestic learning laboratory buildings, a multi-story edifice adorned with a striking red stone facade.
“Making of Chandigarh: A Vintage History” co-authored by Sarbjit Bahga and Arun Mirchandani offers a unique pictorial journey through 575 vintage photographs, capturing the city’s evolution from 1950 to the 1990s. With a focus on the city-making process, the book, enriched with more than 50 drawings, serves as a comprehensive tribute to the photographers and the multitude of contributors who played a crucial role in shaping Chandigarh.
In this rural escape, The 100, Calicut, by Nestccraft Architecture, ensures a firm marriage between functionality and aesthetics and the planning suggests four bedrooms with attached toilets in a plinth area of 21OO square feet. The home and wabi-sabi landscape within this boundary facilitate meaningful life to 1OO souls.
The essay traces the transformation of Pune from a quaint town to the vibrant city it is today. Mostly it is about the city’s aspects, which make it different and unique. The narrative reminisces about the city’s cultural richness and festive glory. It also points out a bit about the challenges posed by urbanization. But despite everything, Pune successfully retains its cultural essence, making it a city that preserves its glorious heritage while transforming.
This essay by Arpita Khamitkar is amongst the shortlisted essays.
The essay reflects on the author’s childhood memories centred around the Kohinoor Textile Mill. The mill, part of Mumbai’s Girangaon, played a significant role in the city’s industrial growth until the early 1980s. The essay fondly recalls the mill’s impact on the community, its cultural richness, and personal experiences. The author expresses concern about the loss of community identity and the impact of privatization, highlighting the need for sustainable urban development that preserves the city’s history. This essay by Pornima Buddhivant is amongst the shortlisted essays.
We were informed that only a firm/registered company/studio would be awarded the project. We decided quickly and established Hexagramm Design Workshop in April 2007. Elections in Uttar Pradesh led to the change of government in May 2007 from the SP to the BSP. The project was shelved. Last heard, the project was being revived again in 2013 after the government had again changed in 2012 from the BSP back to the SP. A competition was again being planned. “I would suggest a ‘Design Competitions Commission of India’ or DCCI. It would act as a Statutory Body with which a Competition would need to get registered to have any validity. If a competition is not registered with the DCCI, it would be invalid and no one in India would want to take part in a such a competition. It would be like an ISI Mark for any design competition that an Indian organization would like to hold. The registration would rely on a set of norms called the ‘Design Competition Code’ or DCC. Any competition that does not follow the basic norms of the DCC would not be given registration by the DCCI.
We participated in the Architectural design competition of NAAC campus at Bangalore in 2003 . We were informed verbally that we have won the competition . However the following day we were informed that the result had been withheld due to some issue. A week later when the result was finally declared , we were given the Second prize and a Bangalore based Architect was given the First prize. We wanted to fight for this, but were advised by the seniors in the profession that it was how things happen in architectural competitions in India.
After a gap of five years we participated in the competition for DDA housing at Dwaraka in 2008 . This time we were declared the winners in the design stage by a panel led by the then chief Architect Mr Dewan. However the Executive Engineer of the zone made us run around so much for awarding the contract that we gave up in disgust and walked away from architectural competitions forever.
Anuj Mehta also shared his entries along with the details of the competition. Below:
