Exploring Oritecture with Ankon Mitra

Exploring the conjunction of Origami and Architecture, Ankon Mitra’s Oritecture is an imaginative exercise in blurring the boundaries between craft and engineering. Titled with a portmanteau of his own invention, Mitra describes the concept as “the infusion of the ideas, philosophy and the expression of folding into architecture and design.” - Ankon Mitra

Exploring the conjunction of Origami and Architecture, Ankon Mitra’s Oritecture is an imaginative exercise in blurring the boundaries between craft and engineering. Titled with a portmanteau of his own invention, Mitra describes the concept as “the infusion of the ideas, philosophy and the expression of folding into architecture and design.”

Oritecture as an initiative is only a constant reminder to myself to explore and unearth this fundamental phenomena [of folding], and emulate these guiding principles in not only architecture, but all things that I create.

Mitra’s philosophy has guided and moulded several of his projects, ranging from sculpture and furniture to entire buildings. Here are a few of the examples:

Hextile/UFO
Collaborative Project with Suryansh Chandra

Borrowing from the idea of weaving and structure in textiles, a hexagram-like form is imagined with its six arms radiating outwards – like a hexagonal sun. Origami usually generates sharp geometries – especially if created in metal – but here the idea was to represent a softening of that sharpness, creating fluid lines. Curved folding in metal was employed as a technique to achieve this idea of a benign and benevolent Sun. This is an open lattice, the lines of energy flowing and folding around the form resembling the Mandala of flowing energies around the Earth created through the interaction of the magnetic field of the planet with solar force-lines.

Oritecture - Ankon Mitra
The lines of solar energy folding around the Earth’s magnetic field is what inspired the form of the Hextile modules

The sculptures have been installed in the Nature Discovery Lounge at the St. Regis Resort in the Maldives. Individual modules have been optimized to create light-weight furniture, labelled Hextile Tables. The 0.5 mm thick aluminium sheets used to make these tables have been curve-folded, giving them a much higher strength than typical despite the thinness and lightness of the material.

Kirigami Lounge Chair (Scaled Prototypes)  – Upholstery Design and Fabrication by Kriya Studio

Kirigami – unlike Origami, which concerns itself with folding only – is a technique which allows material to be cut along with folding. It is a very effective method to make objects and forms light-weight by removing all superfluous material from the body of the form. While the folds of the Origami ensure strength disproportionate to the thinness of the original sheet metal, Kirigami ensures the form becomes even more light-weight than if it were only Origami. The Kirigami chairs are 3.5 feet wide and just as high, and made from stainless steel and upholstered with fabric and foam.

Yum Yum Cha Restaurants
 – Project undertaken by Hexagramm Design at Saket, Delhi and Cyberhub, Gurgaon

The interiors of the eateries have been conceptualized in vibrant colours, and the folded Origami décor compliments and synergizes with the Japanese cuisine. Here, Origami fulfils its original purpose – making people and spaces happy. The restaurant space soaks in themes like the Sea, Underwater World and the Rainforest Canopy. Objects are literal and depict birds, animals, plants and objects; the materials used here consist of paper, aluminium, and polypropylene.

–  Ankon Mitra
Ankon Mitra - Oritecture - ProfileAuthor Bio: Ankon is an architect by training with a keen interest in the geometry and mathematics of plants, trees and flowers. A Gold-Medallist from the School of Planning and Architecture (S.P.A), New Delhi, and having pursued his Masters Degree from The Bartlett, University College London, he is Design Director (Landscape), at Hexagramm Design Pvt. Ltd. , working on resorts, farmhouses, hotels and residences of various sizes and imaginations. As part of his Oritecture initiative, he has conducted scores of workshops, designed interiors and sculptures for popular restaurant franchises, given a TEDx talk on the topic and hosted two solo art shows. He has also co-authored ‘Questioning Architecture’ with Gita Balakrishnan. Connect with Ankon Mitra on Facebook and Instagram

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »
Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women? 4

Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women?

What kinds of spaces exist where women can breathe without being watched? If hysteria no longer exists as a diagnosis, why does its architecture remain? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in the third and last chapter of this series follows the spatial logics that developed to manage hysteria, which continue in the contemporary environments of care safety, and everyday life. If the diagnosis has been discredited, what explains the persistence of its walls?

Read More »
Kirtee Shah on architecture profession at CEPT University alumni meet

“… the way architecture [profession] is perceived and practised, it needs to move from the pedestal to the ground.”—Kirtee Shah

In his presentation at the CEPT Alumni Meet, in January 2026, Kirtee Shah offers “something to think about” for the architects and planners regarding the future of architecture profession. He urges architects to relearn and refocus on service, sustainability, and inclusivity while addressing urban chaos, poor housing, rural neglect, and climate challenges.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards