B1-Cadence Architects-Bengaluru

B1, Residence at Bengaluru, by Cadence Architects

The residence sits in an urban fabric where the immediate context is a busy street and a lack of foliage for the house to respond to. The house is designed on a plot measuring 45’x90’, located in a typical Indian neighbourhood flanking the busy street.
B1-Cadence Architects-Bengaluru

 

B1-Cadence Architects-BengaluruThe residence sits in an urban fabric where the immediate context is a busy street and a lack of foliage for the house to respond to. The house is designed on a plot measuring 45’x90’, located in a typical Indian neighbourhood flanking the busy street. The dense residential fabric of the neighbourhood, proximity of the neighbours and the busy street in front prompted the conception of an introverted building. Diagrammatically, the program of the house is laid out in the form an ‘H-shaped plan’ that wraps around a courtyard such that each arm of the ‘H’ flanks the courtyard. The open to sky courtyard, a highly sustainable element, not only becomes the point of interest and activity within the house, but also represents the ‘outside’ within the introverted house. The pergolas help shade the double height space and cut the glare, while the green wall helps in reducing the heat. The court is an oasis not just for light but for fresh air as well, where hot air escapes and fresh air comes through. Acting as a light well, the court enables the user to have a macro oasis within the house. The interiority of the house is designed to revolve around the experience of the garden, similar to that of a conventional courtyard/thotti house.


The program is expressed as horizontal bars across the courtyard. The puja room is further conceptualised as part of the courtyard; The puja and the courtyard together become the focus of the house for the various functions. Due to its transparency, the courtyard also acts as an extension to all the functions around it. This along with the use of wood as a dominant material accentuates the warmth in all the spaces, with the furniture chosen to mimic installations in space.

Deliberately attempting to move away from the conventional residential façade, no windows are provided. A blank wall with a dispersion of openings for the front facade emphasizes the introverted nature of the house and a large overhanging roof levitates above the mass. A sculpted object nestled between the roof and the ground below gives the residence a strong visual identity on the street. The vacuity within the heart of the house materialises on the facade as an undulating mass.. The contrast between the blank wall and the sculpted object is articulated in terms of materiality and form which helps stage one against the other. The house is self-sustainable with regard to the visual luxuriance and the quality of illumination.

Drawings:

Project Facts:

Typology: Residential (Stand-alone House)
Name of Project: B-one
Location: Bangalore, India
Name of Client: Mr. Arun Bohra
Principal Architect: Smaran Mallesh, Narendra Pirgal, Vikram Rajashekhar
Design Team: Gowtham, Tanikewan, Rejin
Site Area: 4000 sq. ft.
Built-Up Area: 5700 sq. ft.
Start Date: June 2014
Completion Date: JULY 2016
Photographer: Sergio Ghetti

One Response

  1. give us even more info regarding this building like material used in flooring , construction , furnitures? Do the needfull ASAP

Share your comments

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Diwan-i-Khas at Fatehpur Sikri. Image by Manfred Sommer

“If the received wisdom of this Western historiography is Eurocentric and subjective, how do we trace the evolution of architectural consciousness in India?”—Jaimini Mehta

The essay is the second of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India. He explores how colonial perspectives distorted Indian architectural history, arguing that indigenous architectural theories existed beyond Eurocentric interpretations, with the mandala symbolizing a deeper conceptual understanding of cosmic and spatial design.

Read More »
Jaimini Mehta - Architecture and History

“Unless you ask these questions, you will not realise that it is not history but the perception of history that needs to be revisited.”—Jaimini Mehta

The essay is the first of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India.
The book analyses the works of several contemporary, post-independence Indian architects to demonstrate that since independence, they have revitalized traditional architectural elements and techniques, drawing inspiration from India’s itihasa.

Read More »

Featured Publications

We Are Hiring