Artovert- Anagram Architects -NOIDA -17

Artovert – Conversations in Grey, at NOIDA by Anagram Architects

Artovert- Anagram Architects -NOIDA -17

Artovert- Anagram Architects -NOIDA -17

Brief:
Artrovert is our project to design a studio in a peri-urban artists’ colony, Kaladham, in Greater Noida, Uttar Pradesh. The 280 sqm. studio is built on a 300 sqm trapezoidal plot which is one of 216 arranged in an octagonal grid. Our client-collaborator is a multi-media artist whose politically charged works interrogate binaries, challenge representation and explore the anti-aesthetic.Equally unconventionally, her vision for her studio was not the typical introverted artist’s “cave” but rather an extroverted residency where the creation of art and the living of the artist are shared with her precinct. Acutely aware of Kaladham’s location at the urban edge, she hopes such an outward expression and blurring of territory would lay seeds of well-knit social networks for a growing community.

Program

Artovert- Anagram Architects -NOIDA -1
The studio required accessible, large volume workspaces that would invite an immersive experience of art and yet be rugged enough to withstand its production. A mezzanine study overlooking the studio provides a vantage point to view as well as to reflect. The top floor is designed as a two room residence for artists for short duration stay while a small ground floor residence at the back houses studio helpers. While a private garden is planned at the back as a spill-out for the helpers, a sloping, faceted front lawn is opened up for theatre-style public screenings and talks. The rooftop residence is arranged around a generous terrace.

Form and Materiality
The form articulates the creation of space as an unraveling rather than as a construction, revealing as much as concealing. Two materially-contrasting yet filial bands ( of distressed concrete and ceramic mosaic) loop and coil forming the various spaces of the program across multiple levels. These are book-ended on one side by the neighbour’s wall and with a grey steel armature on the other. The armature itself is designed to act simultaneously as a gallery, working scaffolding and circulation space as well as to provide views of the exhibits within from different heights. The panels are detailed to swivel so that the finished art on them may be turned outwards and shared publicly. This also creates the possibility of an externally created mural being turned inward for viewing as a composition of individual panels and multiple permutations of such arrangements.

Artovert- Anagram Architects -NOIDA -17

Tall and narrow interstices are glazed against the outside while vertical slits cut through the internal volumes. Thus the design hopes to offer multiple views and varying perspectives through a multilevel space formed as a conversation between binaries.    

Performance:
Passive thermal performance is at the heart of the architecture. The slits within the tall volumes vent  air heated through thermal stacking while the massive floors and walls shade against solar heat gain during the warmest time of the summer day.

Artovert- Anagram Architects -NOIDA -17

The low slung winter sun however penetrates the south-west facing studio warming the workspaces and rooftop terrace. The swivelling panels act as louvres that let in the easterly monsoon breeze decreasing internal humidity levels. The studio thus maintains comfortable thermal levels throughout the year.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards