Accord House, at Ludhiana, Punjab, by Planet Design and Associates

Accord House, at Ludhiana, Punjab, by Planet Design and Associates

Located in Ludhiana, a major town of Punjab, the design language of the Accord House is largely an exploration of a visual of clean magnificent form with the main material being the concrete, in dark coloration, with a texture that extends to the wooden elements complemented with the landscaping. It has been designed in a way where the grand interior resonates with the contemporary façade of the residence. A variation of steel screens, louvers and a combination of granite and wood are integrated with the elevation of the project. - Planet Design and Associates
Accord House, at Ludhiana, Punjab, by Planet Design and Associates

Accord House, at Ludhiana, Punjab, by Planet Design and Associates 1

Located in Ludhiana, a major town of Punjab, the design language of the Accord House is largely an exploration of a visual of clean magnificent form with the main material being the concrete, in dark coloration, with a texture that extends to the wooden elements complemented with the landscaping. It has been designed in a way where the grand interior resonates with the contemporary façade of the residence. A variation of steel screens, louvers and a combination of granite and wood are integrated with the elevation of the project.

Accord House, at Ludhiana, Punjab, by Planet Design and Associates 3

The classic interior of the residence is planned over three floors with the built-up area of approximately 650 sq.mtrs. The ground floor accommodates the drawing room along with living and dining areas that has been tastefully designed with handpicked furniture from Arte Furniture in New Delhi and lighting from HYBEC. The powder room, on the ground floor, employs contrast as its prime feature and is fitted with handpicked fixtures, sitting well against a darker background, and handcrafted flooring from Tecnografica. The kitchen area is combined with the utility space which adds a volume to whole space and carves out the required storage areas. With two bedrooms on the ground floor, this floor also accommodates service spaces such as parking and carwash area. The guest bedroom and the home theatre are designed on the first floor, along with the son’s room, while the top floor houses the servants.

The stairway leading to the first floor is an interesting feature that has been highlighted with a glass railing lined with hardwood and a chrome outer stringer. The double height stairwell features a striped ceiling with alternate bright and dark bands that lends a proactive accent to the space and adds to the relaxed tones of the interior of the house.

The master bedroom, on the ground floor, is sophisticated and soothing with soft textures and colours, clean lines and modern furniture pieces picked to resonate with the personalities of the occupants of the room. The lighting has been carefully positioned to add a sense of calm to the whole space. The master bathroom feels like an extended design language of the space with materials and fixtures chosen to exhibit splendour and opulence.

The design of the son’s room, on the first floor, has an experimental approach with wall cladding in different materials and artworks and bright use of colour in the furniture that helped to elevate the character of the room. On the contrary, the guest room, on the same floor, has been engulfed entirely in shades of beige, making the occupants feel at home.

A rich, warm feel has been incorporated in the home theatre, located on the first floor of the lavish Accord House. Acoustically treated walls and an intelligent, automated lighting system complete the entire look of the space.

Project Facts –

  • Name of the Project : Accord House
  • Project Location: Ludhiana, Punjab
  • Principal Designer: Manjinder Singh
  • Design Team: Manjinder Singh, Ar. Talwinder Panesar, Ar. Sapna Chauhan, Gurjeet Singh
  • Year of completion: Oct 2019
  • Project types: Residential
  • Plot area: 5 sq. mtrs.
  • Built – up area: 5 sq. mtrs.

Material specifications/vendors details:

Flooring: Italian Marble, Tecnografica, Florim, Mirage Ceramics o Lighting fixtures: HYBEC

Furniture and upholstery: Arte, Warwick

Sanitary fixtures: Hansgrohe, Graff

Kitchen: Aura Kitchens


About the firm: A name inspired by the organic designs of existing life forms and their co-existence with inflexible designed structures on our great mother earth, PLANET DESIGN was established in 2014.

Half a decade and 30 successful projects later, the company stands on the strong ground of aspirations and hard work with a desire to create a built environment that is an amalgamation of architecture, art and design. With head office in Ludhiana, Punjab, principal architect,  Ar. Talwinder Panesar, is assisted by a compact and an efficient team of architects and designers.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »
Sen Kapadia

Nirbhaya Nirgun
“Sen [Kapadia] found his own light early. He followed it without apology and without detour, and never let anyone dim it.”
—A Tribute by Pinkish Shah

Pinkish Shah’s homage to Sen Kapadia, celebrates him as fearless and formless in both life and work. Intellectually rooted in Louis Kahn and Sri Aurobindo, Sen pursued architecture that transcended form toward essential silence. Known for his courage, he maintained quiet, unwavering independence throughout his career.

Read More »
Prof Shireesh Atmaram Deshpande

“Professor Shireesh Deshpande chose the far more difficult task: to mould young minds into thoughtful, responsible, and rooted architects.”—A Tribute by Sarbjit Singh Bagha

Sarbjit Singh Bagha shares his tribute to Prof. Shireesh Atmaram Deshpande (1934–2026), a pioneering figure in Indian architectural education who passed away on 10 April 2026 at 91. Known affectionately as “Dada,” he spent nearly four decades at VNIT Nagpur, founding India’s first M.Arch. programme and introducing innovative pedagogy. He served as President of the Indian Institute of Architects (1992–1994). Choosing teaching over professional practice, he shaped generations of architects.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards