Devesh Deepak House, Lucknow-Shubhrajit Das

Devesh Deepak House, Lucknow-Shubhrajit Das 1

The site was very peculiar and challenging. First, it was very narrow as well as deep. And second, it was entirely enclosed from all sides by 2/3 floored houses, limiting, air, light and view. It opened only in a small stretch above 10′ height that overlooked into a huge patch of municipal green. This small opening in the site, almost a floor above the ground level due to the government boundary wall that enclosed the greenery, was located at the corner diagonally opposite the odd entry from the north-west corner.In addition to other standard requirements, the need was to accommodate 4 bedrooms besides a small office space and a servant’s room, both accessible by a separate entry. Moreover making the house as per ‘vastu’ was mandatory as the lady of the house was also a teacher in the subject at the university.

Repeating squares and voids helped negotiate the long and narrow site that were held in place by a austere and rustic steel bridge. This bridge also allowed access to the office and servant’s unit above besides directing entry to the main house from the narrow approach lane.

Limited light helped animate the geometry by an alternating rhythm of light and darkness. Rotation of the square at the far end not only provided the view of the municipal green from the upper bedrooms but also provided the morning light inside the living room below. The bounding circular wall helped formally rotate the cube at the far end and formed a screen that alternately allowed or restricted light and view.

Due to the high enclosure by the surrounding houses, both air and light was difficult in the lower floors. The stair cabin on the roof helped bring in south light into the house and south-west wind during the hot humid months. Skylight over puja provided the early morning east light that also allowed air entering from this stairwell to move out with ease.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Folles de la Salpétrière, (Cour des agitées.) (Madwomen of the Salpétrière. (Courtyard of the mentally disturbed.))

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

Did these spaces heal women or teach them how to disappear? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in this chapter follows hysteria as it migrates from text to typology, inquiring how architectural decisions came to stand in for care itself. Rather than assuming architecture responded to illness, the inquiry turns the question around: did architecture help produce the vulnerability it claimed to manage?

Read More »
Gender, Hysteria, and Architecture - The Witch Hunt. Henry Ossawa Tanner. Source - Wikiart

Gender. Hysteria. Architecture. | “When Did Care Become Confinement?”

Was architecture used by society to spatially “manage” women and their autonomy? Aditi A., through her research study as a part of the CEPT Writing Architecture course, examines the period before psychiatry, when fear had already become architectural, tracing how women’s autonomy was spatially managed through domestic regulation, witch hunts, informal confinement, and early institutional planning.

Read More »

A Modernist’s Doubt: Symbolism and the Late Career Turn

Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.

Read More »
Ode to Pune - A Vision. © Narendra Dengle - 1

The City That Could Be: An Ode to Pune

Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities

Read More »

Featured Publications

New Release

We Are Hiring

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers