Devesh Deepak House, Lucknow-Shubhrajit Das

The following content (text, images, illustrations and videos) for the project is provided by the design firm. 

Devesh Deepak House, Lucknow-Shubhrajit Das 1

The site was very peculiar and challenging. First, it was very narrow as well as deep. And second, it was entirely enclosed from all sides by 2/3 floored houses, limiting, air, light and view. It opened only in a small stretch above 10′ height that overlooked into a huge patch of municipal green. This small opening in the site, almost a floor above the ground level due to the government boundary wall that enclosed the greenery, was located at the corner diagonally opposite the odd entry from the north-west corner.In addition to other standard requirements, the need was to accommodate 4 bedrooms besides a small office space and a servant’s room, both accessible by a separate entry. Moreover making the house as per ‘vastu’ was mandatory as the lady of the house was also a teacher in the subject at the university.

Repeating squares and voids helped negotiate the long and narrow site that were held in place by a austere and rustic steel bridge. This bridge also allowed access to the office and servant’s unit above besides directing entry to the main house from the narrow approach lane.

Limited light helped animate the geometry by an alternating rhythm of light and darkness. Rotation of the square at the far end not only provided the view of the municipal green from the upper bedrooms but also provided the morning light inside the living room below. The bounding circular wall helped formally rotate the cube at the far end and formed a screen that alternately allowed or restricted light and view.

Due to the high enclosure by the surrounding houses, both air and light was difficult in the lower floors. The stair cabin on the roof helped bring in south light into the house and south-west wind during the hot humid months. Skylight over puja provided the early morning east light that also allowed air entering from this stairwell to move out with ease.

Share your comments

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Diwan-i-Khas at Fatehpur Sikri. Image by Manfred Sommer

“If the received wisdom of this Western historiography is Eurocentric and subjective, how do we trace the evolution of architectural consciousness in India?”—Jaimini Mehta

The essay is the second of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India. He explores how colonial perspectives distorted Indian architectural history, arguing that indigenous architectural theories existed beyond Eurocentric interpretations, with the mandala symbolizing a deeper conceptual understanding of cosmic and spatial design.

Read More »
Jaimini Mehta - Architecture and History

“Unless you ask these questions, you will not realise that it is not history but the perception of history that needs to be revisited.”—Jaimini Mehta

The essay is the first of a three-part series of preview essays for Jaimini Mehta’s forthcoming book, Sense of Itihasa; Architecture and History in Modern India.
The book analyses the works of several contemporary, post-independence Indian architects to demonstrate that since independence, they have revitalized traditional architectural elements and techniques, drawing inspiration from India’s itihasa.

Read More »
Social Media and Architecture. @ArchitectureLive! (Image is AI generated)

“Social media has pulled back the curtain, democratizing the discourse and, more importantly, the architect’s image.” —Athulya Aby

Athulya Aby writes about how social media has transformed architecture, making it accessible to the masses. While it offers opportunities for inclusivity and innovation, it also poses risks of superficiality and prioritizing aesthetics over function. The future lies in balancing online presence with real-world impact, according to Athulya.

Read More »

Featured Publications

We Are Hiring