Satara Compeition, S+Ps Architects, Pinkish Shah

For People: Satara Municipal Corporation, competition entry by S+Ps – Pinkish Shah and Shilpa Gore

For People: Satara Municipal Corporation, competition entry by S+Ps - Pinkish Shah and Shilpa Gore.
Satara Compeition, S+Ps Architects, Pinkish Shah
For People: Satara Municipal Corporation, competition entry by S+Ps - Pinkish Shah and Shilpa Gore 1
Satara Municipal Corporation: Visualisation

Satara Municipal Corporation

The opening and last sentences of the preamble of the Indian Constitution, “We, the people… adopt, enact and give to ourselves this Constitution signifies that power is ultimately vested in the hands of the people. It interlays the basic tenet of governance and the relationship between the government and the people. However, this relationship of the people, for the people and by the people, with the government is rarely, if ever, enacted out in the spatial dimension of government buildings. The design of a new Satara Municipal Council building attempts to make this relationship between government and people more democratic, transparent, interactive and eventually participative.

It tries to achieve this via two primary ideas. The simplest of places is created when a group of people come together and gather under the shade of fabric cover, like a shamiana. The building’s primary gesture of the roof alludes to that. The site offered views to Ajinkyatara unique identifier for Satara- which we capitalized on to draw people up the building, much like the journey one takes from the base of the hill to the top at Ajinkyatara (Gadh chadla), As one ascends one notices governance “made transparent” and “in action” with government officials and representatives at work in the two wings on the sides. This “ritualistic pathway” through a series of stepped platforms where people can meet, gather and interact with each other and government officials, under the shade of the roof (and not in an introverted closed atrium), and in the benign climate of Satara, creates an OPEN PUBLIC PEOPLE’s PLACE for the citizenry of Satara.

As one reaches the observation platform at the top, the building responds with diagonal views opening out to Ajinkyatara fort, anchoring the building to its location. This diagonal orientation is embedded into the entire DNA of the building-with the structural system of the central bay, flooring patterns, furniture, etc. as also the thin sagging roof under which is the main council chamber, again completely glazed to expose its workings to the entire city when in session.

The offering of this approachable public place for the people of Satara, not just when they have official work, but to use and occupy as a truly public place rooted in its context, will go a long way toward making this project ‘of the people, for the people and by the people’.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

House in Corjuem, Goa by Field Atelier 25

House in Corjuem, Goa, by Field Atelier

The house is located in the village of Corjuem in the North of the state of Goa, India. The existing vegetation and the proposed plan to introduce gardens led to the possibility of the story changing as per seasons. The house is therefore imagined as a pavilion or a stage to view the gardens and its seasonal unfolding.

Read More »
Vision Pakistan, Pakistan by DB Studios 1

Vision Pakistan, Islamabad, Pakistan, by DB Studios

Vision Pakistan, a project by DB Studios recently recognized with the 2025 Aga Khan Award for Architecture. Set within Islamabad, Pakistan, the project offers a ‘second chance’ to disadvantaged males who have fallen into aggression, depression, drug use and/or crime.

Read More »
Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards