Maya Somaiya Library - Sameep Padora and Associates

Maya Somaiya Library, Sharda School. Kopergaon, Maharashtra, India, by Sameep Padora and Associates

Sameep Padora and Associates: The site chosen for this small addition of a children’s library within a school in rural Maharashtra, was a sliver between existing buildings and the school boundary, a site that almost implied a linear building footprint to adjust the program for the chosen site.Alluding to the impetus that children have towards landscape over a building we imagined the library building to be a formal extension of the ground plane.
Maya Somaiya Library - Sameep Padora and Associates

Text: Sameep Padora and Associates. Images © Edmund Sumner

Maya Somaiya Library, Sharda School. Kopergaon, Maharashtra, India. © Edmund Sumner

The site chosen for this small addition of a children’s library within a school in rural Maharashtra, was a sliver between existing buildings and the school boundary, a site that almost implied a linear building footprint to adjust the program for the chosen site.
Alluding to the impetus that children have towards landscape over a building we imagined the library building to be a formal extension of the ground plane. A place inside for study and a place above for play. With the limited teaching resources available in the larger vicinity we needed the inspiring spatial experience to be a magnet to attract students and hopefully other residents from the nearby settlements after school hours.

On our first visit to the site, it was interesting to see Geodesic structures built by an engineer for a few of the school buildings, we were somewhat encouraged by this to pursue a project that followed from a construction intelligence. We hence parsed through several possible material configurations ranging from concrete shells to brick vaults for building this ‘architectural landscape’. At this point we were captivated by the material efficiencies of the Catalan tile vault from the 16th century, it’s used by Gustavino in the early 19th century and finally the incredible details from the work of Eladio Dieste from the mid-twentieth century. While working with the specific site condition we used Rhino Vault developed by the Block Research Group at the ETH to articulate a pure compression form for the project.

Maya Somaiya Library, Sharda School. Kopergaon, Maharashtra, India, by Sameep Padora and Associates 2

The library lies at the intersection of a student’s daily routine it became a pavilion accessed from multiple sides with students potentially engaging with books while traversing through the library or over it.

The library interior has varied spatial & seating systems, a floor stool system towards the edges for a more intimate study area and towards the centre, tables and stools for collaborative study. The self-structured window bays are striated profiles for increased stability with economical window section sizes.

The construction technology for the project also makes a case to reexamine the age-old binaries of the global and local as being in opposition. The regional or the local within the South Asian paradigm typically manifests within strict formal constraints of the style in memory. This is often at the expense of material efficiencies.

Maya Somaiya Library, Sharda School. Kopergaon, Maharashtra, India, by Sameep Padora and Associates 24

Our effort to search for a material and construction efficiency in brick tile looked to leverage the networks of knowledge that our practices are situated in, allowing us to enrich the regional or local through the extended capacities of the global.
In using principles ranging from the Catalan Tile Vaulting sytem to the compression ring detail from the work of Eladio Dieste in Uruguay, to using a form finding software plug -in made in Switzerland the library is a resultant of not only lessons learnt from various geographic locations but also various through time/history.

Design team: Vami Seth Koticha, Archita Banerjee, Manasi Punde, Aparna Dhareshwar

Structural engineering
Foundation Design: Sameer Sawant
Superstructure: Rhino Vault, Vivek Garg

Contractor
Unique Concrete : Rajesh Murkar, Milind Naik

Site Supervision
Zubair Kachawa,

Client
Somaiya Vidyavihar

Site area
3 acres

Total floor area
5750 square feet

Design phase
May 2014 – November 2015

Construction phase
August 2017- May 2018

Materials
Super Structure: 20mm thick Brick Tile
Flooring: Kota Stone
Windows: Aluminium, Wood, Glass
Furniture: Pre-laminated Wood Ply

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Folles de la Salpétrière, (Cour des agitées.) (Madwomen of the Salpétrière. (Courtyard of the mentally disturbed.))

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

Did these spaces heal women or teach them how to disappear? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in this chapter follows hysteria as it migrates from text to typology, inquiring how architectural decisions came to stand in for care itself. Rather than assuming architecture responded to illness, the inquiry turns the question around: did architecture help produce the vulnerability it claimed to manage?

Read More »
Gender, Hysteria, and Architecture - The Witch Hunt. Henry Ossawa Tanner. Source - Wikiart

Gender. Hysteria. Architecture. | “When Did Care Become Confinement?”

Was architecture used by society to spatially “manage” women and their autonomy? Aditi A., through her research study as a part of the CEPT Writing Architecture course, examines the period before psychiatry, when fear had already become architectural, tracing how women’s autonomy was spatially managed through domestic regulation, witch hunts, informal confinement, and early institutional planning.

Read More »

A Modernist’s Doubt: Symbolism and the Late Career Turn

Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.

Read More »
Ode to Pune - A Vision. © Narendra Dengle - 1

The City That Could Be: An Ode to Pune

Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities

Read More »

Featured Publications

New Release

We Are Hiring

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers