O'Nella Residence at Pune, Tao Architecture, Manish Banker

O’Nella Residence at Pune, by Tao Architecture, Manish Banker

O’nella by Tao Architecture was conceived as a light-filled is a 4-member family home, effortlessly integrating luxury with sustainability. The lavish layout of expansive volumes embraces the natural contour of the site as a means of segregation between private and service areas.
O'Nella Residence at Pune, Tao Architecture, Manish Banker

O'Nella Residence at Pune, Tao Architecture, Manish Banker

Can a residence exude the extravagance of a private resort while ensuring a pragmatic spatial layout, sustainable in its upkeep?”

The team at TAO Architecture was faced with a challenge, seeking the realization of an extensive brief on a naturally sloping 17000 sq.ft. corner plot in Salisbury Park, Pune.

O’nella was conceived as a light-filled is a 4-member family home, effortlessly integrating luxury with sustainability. The lavish layout of expansive volumes embraces the natural contour of the site as a means of segregation between private and service areas. The design aims at reviving traditional joint-family culture of cohesive living, while being conducive to a contemporary lifestyle. This is done by permitting varying degrees of privacy to inhabitants, making the residence a shared living space.

O'Nella Residence at Pune, Tao Architecture, Manish Banker
Private Space

The 2.5m level drop between the North-East and South-West of the site allows a vertical division of zones, with the main entrance foyer placed on the upper ground level, accessed by a flight of rising steps.

The service areas and house help accommodation lie on the lower ground floor, level with the entry gate, and accessible through the car parking. Service ramps connect the upper levels with the basement floor for unhindered access.

Inside the house, semi-private areas like the family room, living room, dining, kitchen, staircase, sit-outs, garden court, swimming pool and gymnasium are all interlinked into one homogeneous spatial composition. The layout attempts to dissolve boundaries between the indoor and the outdoor through the effective utilization of the transition space, with its abundance of natural light, ventilation and scenic views. A trapezoidal entry door reflects the angular geometry of the structure as it welcomes one into a mesmerizing double height living space.

The family room reflects warm hues of a rustic mélange of materials, flooded with daylight, as it looks out to a garden court through a glazed wall. A transitional verandah and swimming pool connects the main block with the recreational area beyond the courtyard.

The artificial waterfall flows into the swimming pool, generating a pleasant microclimate through evaporative cooling, while creating serene views for the living and entertainment spaces.

Private spaces extend and blend into the outdoors, with bathrooms integrated with sit outs and courtyards. All artwork and furniture reflects the visual language of angular structural and spatial elements, complementing the earthy whites and greys of the colour scheme.

The building envelope is insulated on the South-west to minimize heat gain. The inverted gable, ‘butterfly’ roof is so designed as to allow working daylight to all interior spaces, barring the high summer sun by virtue of its large overhangs. The central valley acts like a rainwater collection channel, facilitating 100% rain water harvesting. Installation of photovoltaic panels and a wind turbine on the versatile butterfly roof allows effective utilization of solar and wind power. The service core acts as a ventilation shaft, which in conjunction with a turbo exhaust, expels warm air; effectively setting up a passive cross ventilation system for the house.

The design is sensitive to the existing environment and vegetation on the site, integrating an existing coconut palm in an interior courtyard.

Keeping with the client’s brief, the residence is the literal manifestation of a tranquil haven, allowing efficiency with extravagance, facilitating a spiritual connection of man with his environment.

Drawings:

List of Materials used

  • Primary Frame including roof is in RCC
  • All walls are in 100 and 2235 mm thk Clay bricks
  • Slate stone cladding in key feature walls
  • Giano finish ash gray Granite for flooring in common Area
  • Statuario Marble in formal hall, kitchen, bedroom and toilets
  • Fossil stones as highlighter in private toilets
  • Wooden floor in bedrooms
  • Glass in floor lights and railings
  • Doors in wood and veneers
  • Furniture in teak wood, veneer, glass, Corian and laminates as per applications.
  • Composite wooden ceiling in formal hall, external roof and POP ceiling in internal areas.
  • Natural wooden deck on pool side.
  • SS column in Gym and pool deck area for supporting roof
  • Aluminum elliptical shape louvers outside window for privacy
  • Reynears windows
  • Solar BIPV for power generation.
  • Solar water heating for pool heating and shower area.
  • Wind turbine for power generation working as hybrid wind solar power generation plant.
  • Over deck Insulation with High density Foam on all flat and sloping roofs.
  • Sloping roof finished with Glazed white tiles for solar reflectivity.
  • Turbo Vents in Service shaft for passive ventilation.
  • Water based internal paints brand Jotun and water based wood polish from ICA compony
  • Lighting in LED

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »
Sen Kapadia

Nirbhaya Nirgun
“Sen [Kapadia] found his own light early. He followed it without apology and without detour, and never let anyone dim it.”
—A Tribute by Pinkish Shah

Pinkish Shah’s homage to Sen Kapadia, celebrates him as fearless and formless in both life and work. Intellectually rooted in Louis Kahn and Sri Aurobindo, Sen pursued architecture that transcended form toward essential silence. Known for his courage, he maintained quiet, unwavering independence throughout his career.

Read More »
Prof Shireesh Atmaram Deshpande

“Professor Shireesh Deshpande chose the far more difficult task: to mould young minds into thoughtful, responsible, and rooted architects.”—A Tribute by Sarbjit Singh Bagha

Sarbjit Singh Bagha shares his tribute to Prof. Shireesh Atmaram Deshpande (1934–2026), a pioneering figure in Indian architectural education who passed away on 10 April 2026 at 91. Known affectionately as “Dada,” he spent nearly four decades at VNIT Nagpur, founding India’s first M.Arch. programme and introducing innovative pedagogy. He served as President of the Indian Institute of Architects (1992–1994). Choosing teaching over professional practice, he shaped generations of architects.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards