Who really wins? — About Architectural Competitions in India, with Madhusudhan Chalasani

In our efforts to engage a cohort of architects who had previously contributed to design competitions—both as participants and/or as jurors—for their perspectives on the contemporary competition paradigm, we invite Madhusudhan Chalasani, Founder and Principal Architect at Studio MADe.

SHARE THIS

As part of our methodological process, we engaged a cohort of architects who had previously contributed to design competitions—both as participants and/or as jurors—for their perspectives on the contemporary competition paradigm. The questions, while not going into specifics, sought to understand the multifaceted dimensions of the design competitions. Read the article ‘Who really wins? — A Critical Look into Design Competitions in India’, authored by Anusha Sridhar, here.

We ask Madhusudhan Chalasani, Founder and Principal Architect at Studio MADe.

How have competitions shaped your practice so far or opened new directions in your work?

As a policy, we do not participate in Indian competitions, so I lack personal insight into how they are conducted or how they might be improved.

Like many aspects of life in India, these competitions often lack rigour, integrity, and a commitment to enhancing the built environment. It gets reflected in the overall state of the profession.

⁠What systemic flaws do you think are limiting the progress of competitions in India?

Competitions in India rarely go beyond the surface—there is no background study, no serious analysis, no credible jury or transparent process. The same few names keep winning. Compared to international competitions, where rigor, accountability, and integrity define the outcome, ours often feel like hollow exercises that undermine the very idea of open design culture.

Media platforms and institutions, which should act as thought leaders, too often reduce themselves to event organisers—declaring winners, publishing images, and moving on. Rarely do they offer justification, reasoning, or a serious critique. This vacuum of discourse diminishes architecture to a spectacle, which is precisely why we at MADe keep ourselves away from both competitions and the media circus that surrounds them.

⁠If you could change one thing about how competitions are run in India, what would it be?

I honestly don’t know where we are marching as a community. Without processes, criticism, or integrity, both competitions and architecture itself in India remain deeply compromised.

What we’re witnessing is not growth, but erosion; an erosion of trust, of quality, and of architecture’s social responsibility. Unless we pause and confront these failings, the profession risks losing its relevance entirely.


Read More:

Like what we publish?

AUTHOR

Madhusudhan Chalasani
Madhusudhan Chalasani
Profile and Contributions

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent Posts

Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »
Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women? 4

Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women?

What kinds of spaces exist where women can breathe without being watched? If hysteria no longer exists as a diagnosis, why does its architecture remain? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in the third and last chapter of this series follows the spatial logics that developed to manage hysteria, which continue in the contemporary environments of care safety, and everyday life. If the diagnosis has been discredited, what explains the persistence of its walls?

Read More »
Kirtee Shah on architecture profession at CEPT University alumni meet

“… the way architecture [profession] is perceived and practised, it needs to move from the pedestal to the ground.”—Kirtee Shah

In his presentation at the CEPT Alumni Meet, in January 2026, Kirtee Shah offers “something to think about” for the architects and planners regarding the future of architecture profession. He urges architects to relearn and refocus on service, sustainability, and inclusivity while addressing urban chaos, poor housing, rural neglect, and climate challenges.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards