Waffle Structure as Canopy at Ahmedabad by WEsearch lab

WEsearch lab recently concluded their experimental study on ‘Waffle Structure as Canopy’ at CEPT University, Ahmedabad’s Summer Winter School (SWS) initiative. Waffle structures – technically known as stereotomy of a solid geometry - have their origin in industrial design for their usefulness in quick prototyping of complex surfaces and volumes. In few cases, waffle structures become the final embodiment of an architectural project, Metropol Parasol by Jurgen Mayer being one of the examples.

Waffle Structure as Canopy at Ahmedabad by WEsearch lab

WEsearch lab recently concluded their experimental study on ‘Waffle Structure as Canopy’ at CEPT University, Ahmedabad’s Summer Winter School (SWS) initiative. Waffle structures – technically known as stereotomy of a solid geometry – have their origin in industrial design for their usefulness in quick prototyping of complex surfaces and volumes. In few cases, waffle structures become the final embodiment of an architectural project, Metropol Parasol by Jurgen Mayer being one of the examples.

 

When strategically placed in spaces of transition and commute, canopies not only act as shelters, but also draw the users to a pause and create a dialogue. At a societal level, the individual act of seeing transforms into a shared action by all. For the designer, the public outdoor setting provides a democratic canvas that is accessible to all. Additionally, the characters imbibed in the space by canopies facilitate place-making. The temporal nature of canopies renders a transient character to a space, in effect, meaning that a space can be one place in the summer and altogether a different place in the winter.

With this backdrop, polygonal meshes were quickly modelled and iterated in Rhino to get a sketchy and faceted idea of the surfaces. These were then turned into smooth surfaces with double curvature using T-splines to act as the input geometry for making waffles. The final surfaces were turned into waffles by using custom Grasshopper script and then laser cut on 2mm thick mdf boards. Thus, every canopy was controlled at three meta-levels as following :

  1. The polygonal mesh which controls the extent and macro shape of the canopy,
  2. The smooth surface which controls the curvature and micro shape of the canopy, and..
  3. The waffle assembly which controls the distribution and depth (or conversely, thickness of canopy) of ribs.

The Grasshopper script controlled the number of ribs in x and y axes, the lap joint width (or conversely, the thickness of the ribs) and the lap joint division percentage. The ribs were numbered to keep the model organised and facilitate easy assembly of the ribs. Finally, the script oriented the outlines of the ribs from the 3D model space to the xy plane. The outlines were then directly fed to the laser cutter without needing manual rotation to turn them flat.

Tutor: Joy Mondal, WEsearch lab
Post Production: Chinmay Behera
Participants: Aashini Sheth, Abhimanyu Setia, Aditi Ashish Kanodia, Archit Milind Kathale, Dhaval Sardhara, Kritika Bodkhe, Kumaresh Ghosh, Madhurima Kumar, Mit Vasant Patel, Palak Chokssi, Payal Vaswani, Priyankita Pant, Raj Rajeswari Sahoo, Salonee Nadkarni, Shashank Trivedi, Tunisha, Vipul Raj, Viral Mehta
Location: CEPT University, Ahmedabad
Software :  Rhino and Grasshopper
Material : 2mm thick mdf board

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards