The Vernacular Playground in a remote village of Karanataka, by GrassrootED

Grassrooted builds a playground in the remote village of Karnataka using local craftsmen and material.

In a remote village of Karnataka; Udagirinallapanahalli, Manohara and his friends had the most conventional village school tale. Two dark, boxy classrooms; one of which non-operational, a compound and a flag post were collectively called their “primary school”. The walls sure had the alphabet as mural art, but what it lacked, was some natural light to be able to read it. The compound sure was spacious, but all they could do was glide on the soil. It was not the most tragic scene, but not happy enough to motivate them to be regular at school.

The Vernacular Playground in a remote village of Karanataka, by GrassrootED 1

So Manohara and friends were found running with the tyres, climbing the trees, playing chauka-bara, but none of this required the venue to be the school, their village alleys were enough. Maria Montessori said, “Play is the work of the child”, indeed, it’s very serious stuff.
So we did just that, used “play” like our trump card to fight the rising problem of absenteeism in village schools. After all, 70% of India does reside in the village and as the Mahatma says, so does the future of India.

The Vernacular Playground in a remote village of Karanataka, by GrassrootED 9The Vernacular Playground in a remote village of Karanataka, by GrassrootED 11

Design Process
We observed the children play, looked around for our best resources, communicated in broken Kannada and put together a locally sourced vernacular playground for Manohara and his friends. It took 20 architecture students, 6 weeks, and some local support funding to do this. Our design goals were simple; local materials, local craftsmen, low embodied energy, quick construction and some smiling kids!
To meet the goals, our primary material palate was sourced from within 50km of our site. Nilgiri (Eucalyptus) timber, earth, scrap tyres, bamboo, old bike chains and ropes added up to make the rides.

Timber construction would have regularly raised a few eyebrows, but in this case, it was a boon rather than a bane. Plantation of excess Nilgiris has led to an adverse effect on the water table of Karnataka, leading to a state-wide ban of its plantation. The timber of the tree is strong and uniform in size, proving it to be a great choice as structural members. The villagers often use it to retro-fit roofs for their verandas during monsoons. Understanding the material with the local carpenter, we designed, what we like to call, the “belan” (rolling pin) joinery to use the timber efficiently for the rides.
Automobile waste such as old tyres and bike chains are quite a liability in small towns. Discarding them adds a negative impact on the environment, they are highly combustible and add to the landfill. Recycling these tyres and chains to make rides was economically and ecologically beneficial.

Earth from the site, mixed with cement and straw, resulted in compressed stabilized earth blocks (CSEBs). These blocks were used to make houses in the village, we borrowed some to make an outdoor classroom for the school. Bringing back a hint of the gurukul system, one of the most successful teaching systems of ancient India.
A swing, a see-saw, a tyre tunnel, a balancing grid and an outdoor classroom, boxed by a colourful compound wall, acted as a magnet for the gang…even on holidays!
Egyptian architect Hassan Fathy said, “Build your architecture from beneath your feet.” The playground followed just that, and almost 2 years later, it still stands tall, witnessing every child’s jump!

The Vernacular Playground in a remote village of Karanataka, by GrassrootED 21

Next Step
Taking our initiative forward, GrassrootED is committed to bringing more such changes in the rural education scenario through architecture and design. We invite volunteers to join us yet again as a part of The Nilgiri Project, to build more such vernacular playgrounds. Our Phase 1 begins in October 2019, at Chikkballapur District, Bangalore, Karnataka. Contact us for more.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards