The Plus House - Panipat - Studio An-V-THot

The Plus House, Panipat – Studio An-V-Thot

The Plus House - Panipat - Studio An-V-THot

The Plus House, Panipat - Studio An-V-Thot 1

The project was perceived as a creation of rectangles within a square, which clearly took us to benefitting proportions during the planning. This was the answer to a rather questionable site which sat on an almost square plot 55′ x 58′, thus generating a challenge as well as curiosity to achieve a depth of travel and sight. Speaking of facade, the complete 25′ high structure can be seen as volumes and voids sharing spaces, overlapping and inter-changing their behaviour as well as presence. The vertical edge of the corner is sliced open in a tapered hugging manner with MS pergola on the roof level adding the play of shadows & light. Insertion of MS jali is eminent at various places. Use of sober Orange textured paint balances its harmony through the cladding of Dholpur stone on to the left tower. Compressed laminate sheets in exposed wooden grains add to the material palette. Altogether the volumes & voids forming the face of the house are a result of interior space planning & layout.

The Plus House, Panipat - Studio An-V-Thot 3

The Plus House, Panipat - Studio An-V-Thot 5

The interiors of the house can be seen as a mix of modern as well as the traditional aspect of design evolving as the contemporary India. The circulation pattern gives rise to a dramatic story within and beyond, untold every day of existence. The whole house catering to a small family of four revolves around and about a dense green focal point; the impact of the so created courtyard can be felt from the entrance as well as the private areas of the house. Here, the “plus” is actually two axes which generated 4 rectangles within a square that goes from end to end of the plot. This, in turn, leads to a comfortable travel of air and natural light throughout the house. The courtyard has a sunken pebble bed with glass top, which acts as a stage hosting the court. Italian stone “Diana” has been used throughout the flooring, with its grains leading to the court. Wooden flooring is also used at places to add warmth. A lot of sit-outs have been planned & placed at various intervals within the house to add a story. Extensive use of jail can be seen as partitions which are then repeated in furniture as well. The ceiling of the lobby leading to the court is finished with veneer backed by the commercial board which follows through the glimpses of backlit onyx stone in Puja, sea green lacquered glass in Kitchen, as well as a wall of wallpaper in the Dining. Traditional inserts can be seen in the rear door leading to the backyard which overlooks the coffee corner through the double height where the “Palm” reaches its footstep.The Plus House, Panipat - Studio An-V-Thot 7

The Plus House, Panipat - Studio An-V-Thot 9

The backyard hosts a small shower pool adjoining the garden. A small bar sits as a vertical extension of the drawing room at the mezzanine level with a small pantry, a washroom & a private balcony. This area is enclosed with a lot of backlit onyx stone, white PU pigment paint & dark veneer where green fabric on the furniture adds youthfulness. The master bedroom & the children’s bedroom are designed to evolve as two characters with former being warm & the latter being young. The master bedroom has a play of browns and off-whites added by Victorian wallpaper & neo-Victorian wall lights as well as a chandelier. The raised study in the children’s room has a glossy pigment paint with pastel green laminate adding to the blue & white pin-up board. The same colour palette is repeated on the rug & curtains. A plenty of hanging lights & custom-designed ceiling lights have been used throughout the house adding glamour and warmth. The threshold between the ground and the first floor has a four panelled false wall water-painted with a splash of multiple colours by the designers themselves. Altogether it’s a house with spaces of varying identities yet similar character.

Facts:

  • Area :3650 sq.ft.
  • Client / Owner :Payal & Vinod Juneja

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Folles de la Salpétrière, (Cour des agitées.) (Madwomen of the Salpétrière. (Courtyard of the mentally disturbed.))

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

Did these spaces heal women or teach them how to disappear? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in this chapter follows hysteria as it migrates from text to typology, inquiring how architectural decisions came to stand in for care itself. Rather than assuming architecture responded to illness, the inquiry turns the question around: did architecture help produce the vulnerability it claimed to manage?

Read More »
Gender, Hysteria, and Architecture - The Witch Hunt. Henry Ossawa Tanner. Source - Wikiart

Gender. Hysteria. Architecture. | “When Did Care Become Confinement?”

Was architecture used by society to spatially “manage” women and their autonomy? Aditi A., through her research study as a part of the CEPT Writing Architecture course, examines the period before psychiatry, when fear had already become architectural, tracing how women’s autonomy was spatially managed through domestic regulation, witch hunts, informal confinement, and early institutional planning.

Read More »

A Modernist’s Doubt: Symbolism and the Late Career Turn

Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.

Read More »
Ode to Pune - A Vision. © Narendra Dengle - 1

The City That Could Be: An Ode to Pune

Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities

Read More »

Featured Publications

New Release

We Are Hiring

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers