The Peacock - Shailesh Rajput Studio

The Peacock, and other works by Shailesh Rajput Studio

The Peacock - Shailesh Rajput Studio
Shailesh Rajput
Shailesh Rajput

Meet Shailesh Rajput, Principal Designer at Shailesh Rajput Studio who puts life and soul into everything he creates. The studio specialises in bespoke lighting installations, lifestyle furniture, sculpture, wall murals & installations in hand blown glass, brass, and copper. After obtaining his bachelors degree in Design from CANS, Nashik, he travelled across country to find his inspiration and understand various cultures and diverse opinions. His interest was drawn towards creating life style products and exploring earthy materials and he found his fancy in the Glassblowing technique to create his masterpieces. Following are some of his works.

The Peacock

The Peacock - Shailesh Rajput Studio

Males are known to have macho characteristics, but Peacock is one such male-bird who has Elegance, Beauty and Charm. This design is an interpretation of a Peacock, symbolizing the metro sexual men of the present time. In the 18th century, men wore elaborate clothing, makeup and wigs. They would go to the parties dressed in fancy wigs, powdered faces, rouged cheeks and extravagant clothing. No one would think less of it then.

Likewise, it is not just humans who act and look differently to what their gender assume them to. So this is Peacock Personified!

The Peacock - Shailesh Rajput Studio

Wall Installation

Above: The wall mural created for a cosmetic surgeon.

Screen Shot 2016-06-25 at 4.16.53 PM

Above: TAJURBA – series of pendants inspired from The Taj Mahal-masterpiece of Mughal Architecture in India.

Wall Installation

Shailesh Rajput Studio - Wall mural

The 33′ x 10′ wall installation represents the human existence. In four layers, it depicts the importance of human soul.
The first layer depicts an artificial side of humans, just as we humans do not reveal the softer side and always keep our guards up. Similarly, Aluminum is used to depict the tough side of a human, who is always in a pursuit of not getting exploited.

Wood matures with age. With age wood becomes tougher, Second layer of this Mural is made of a veneer depicting wood which shows the graceful maturity of a human-being.

Third layer portrays the feminine character, where a person always wishes to be the best, look good, charm others! Beaten Copper is used in this layer to glamorize the look and envision the feminine aspect of human-beings.

Fourth and final layer is flow, pure, and serene, highlighting the actual soul of a human. Just like water, human souls are meant in this world to be clear as a water, as light as the water and as life-giving as water. Hence water is used as the final layer of this Mural design.

More works of Shailesh Rajput Studio can be viewed on his website: www.shaileshrajputstudio.com

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »
Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women? 4

Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women?

What kinds of spaces exist where women can breathe without being watched? If hysteria no longer exists as a diagnosis, why does its architecture remain? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in the third and last chapter of this series follows the spatial logics that developed to manage hysteria, which continue in the contemporary environments of care safety, and everyday life. If the diagnosis has been discredited, what explains the persistence of its walls?

Read More »
Kirtee Shah on architecture profession at CEPT University alumni meet

“… the way architecture [profession] is perceived and practised, it needs to move from the pedestal to the ground.”—Kirtee Shah

In his presentation at the CEPT Alumni Meet, in January 2026, Kirtee Shah offers “something to think about” for the architects and planners regarding the future of architecture profession. He urges architects to relearn and refocus on service, sustainability, and inclusivity while addressing urban chaos, poor housing, rural neglect, and climate challenges.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards