Satara Competition-Rohan Chavan

Satara Rajyavyavhar Karyalaya, Competition Entry by Rohan Chavan Architects

Satara Rajyavyavhar Karyalaya, Competition Entry by Rohan Chavan Architects
Satara Competition-Rohan Chavan
Satara Competition-Rohan Chavan

Satara Rajyavyavhar Karyalaya

An administration building for today and the future should have two key components- one, a well-organised system of departments and secondly, efficient connectivity between the people and the administrators.

The following two principles guide the project,

  • Ashta Pradhan
  • Connectivity

The Ashta Pradhan was a council of eight ministers that administered the Maratha Empire. The council was formed in 1674 by Chatrapati Shivaji Maharaj. The term Ashta Pradhan literally translates to “the Prime Eight”, from the Sanskrit ashta (“eight”) and pradhan (“prime”). The body discharged the functions of a modern council of ministers- this is regarded as one of the first successful instances of ministerial delegation in India. The council is credited with having implemented good governance practices in the Maratha heartland, as well as for the success of the military campaigns against the Mughal Empire.

The coronation of Shivaji Maharaj was held in 1674, at the fort of Raigad, in the present-day Indian state of Maharashtra. On that occasion, Shivaji Maharaj formalized the institution of a council of eight ministers to guide the administration of his nascent state. This council came to be known as the Ashta Pradhan. Each of the ministers was placed in charge of an administrative department; thus, the council heralded the birth of a bureaucracy.

Satara Rajyavyavhar Karyalaya, Competition Entry by Rohan Chavan Architects 8
Site Plan

Following is the sequence of Ashta Pradhan,

Pradhan – General Administration
Muzumdar – Finance
Sacheev – Secretary
Navis – Internal affairs
Senapati – Defence
Sumant – External affairs
Nyayadhish – Judicial / Justice
Panditrao – Internal religious and Education

Satara Rajyavyavhar Karyalaya, Competition Entry by Rohan Chavan Architects 10
Typical facade detail

Based on today’s notions of administration, the 21 departments are subdivided into eight categories. Each Pradhan is assigned to the department that resonates with his portfolio. The individual Pradhan is planned as a building block around a courtyard that resonates with the local architecture of the Rajwadas which is based on an idea of space around a courtyard, where the courtyard creates a microclimate for passive lighting and ventilation and a space for social gatherings.

In a public building, there is a constant flux of people on a day-to-day basis. In such a situation, it is ideal to have a lesser number of floors, so people can access each floor by themselves at ease, rather than depending on any mechanical device ( lift/escalators ).

In the case of the administration building, we used the atrium and straight-flight staircase to connect different levels. The atrium functions as a point of arrival and a congregation space, and the straight-flight staircase allows for a visual and physical connection between the two levels.

Design Team: Soham Deshmukh, Astha Sahay, Siddhesh Godambe, Prateek Malewar, Shlesha Sheth, Trunika Kankaria


 

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards