Michelle Poonawalla at Art.Lab, Dubai, and the Mediations Biennale, Poland

“I​am delighted to be able to show ‘From Dust to Dust’ alongside leading artists in the digital sphere. I like to produce immersive and engaging artworks which create an experience for the viewer so for me World Art Dubai is a great opportunity for as many people of different nationalities and age groups to see my work as possible. It is also great to be back showing work in Dubai after the success of Introspection at Alserkal Avenue last year” Michelle​ Poonawalla

Art.Lab launches at World Art Dubai an exhibition of digital artworks including

Michelle Poonawalla, Bharti Kher, Doug Foster and Andreas​ Nicolas Fischer

8-10 October

Michelle Poonawalla at Art.Lab, Dubai, and the Mediations Biennale, Poland 1
Still from ‘From​ Dust to Dust’ a digital video artwork by Michelle Poonawalla, 2020. Image courtesy of the artist
October 2020: Michelle Poonawalla is delighted to announce she has been selected to showcase From​ Dust to Dust in the Art.Lab at World Art Dubai, launching 8 October.​ The Art.Lab is a curated collection of outstanding digital artworks from award winning artists from around the globe. Alongside Michelle Poonawalla,​ the exhibition includes work by Bharti​ Kher,​ Doug Foster and Andreas​ Nicolas Fischer.​

Brought together by Sedition​,​ Arte​ Experience & Samsung​ Art​.Lab shows the focus on highly intuitive, sensitive and stimulating exhibits – showing the world’s leading digital artists who work with cutting edge digital technologies. The exhibition will be on display at World Art Dubai from the 8th to 10th October; the Middle East’s largest affordable retail art fair.

Poonawalla is known for her practice which combines cutting-edge technology and traditional artistic mediums; often utilizing sound, video mapping, projection, motion sensors technology. For Art.Lab her

stop motion digital video work From​ Dust to Dust has​ been selected to be exhibited. Titled after the phrase ‘from ashes to ashes, dust to dust’ the work is a reflection on nature’s ability to humble humanity and depicts the slow and precise disintegration of a single rose before the petals metamorphosize into butterflies. A vivid representation that however powerful you may be, life is always transient.

Intended to be an immersive visual experience, From​ Dust to Dust is also available to view for a global audience who can’t attend Art.Lab, World Art Dubai on the Sedition​ Art online platform.

Other works on show at Art.Lab include Bharti Kher’s Symphony​ in​ which thousands of differently coloured bindis form fireworks and swirls of movement. Can Büyükberber’s new digital sculpture and animated artwork Metafold 03 (pictured above right), from his series Multiverse. And Hyperschwarm 6 (pictured below right),by Andreas Nicolas Fischer, which is made up of 3 triple channel generative media installations, each consisting of three 4 minute videos in 4K UHD resolution.

 

For further information please contact

Josh Dobbins

Email:​ josh@dobbins.co.uk

​​Phone:​​+44 (0)7748980585

Whatsapp:​ +91​ 8130513892

 

PRESS RELEASE

“I​am delighted to be able to show ‘From Dust to Dust’ alongside leading artists in the digital sphere. I like to produce immersive and engaging artworks which create an experience for the viewer so for me World Art Dubai is a great opportunity for as many people of different nationalities and age groups to see my work as possible. It is also great to be back showing work in Dubai after the success of Introspection at Alserkal Avenue last year” Michelle​ Poonawalla

About the Artist

Michelle Poonawalla is an artist who lives and works between London, UK, and Pune, India.

Poonawalla’s works explore universal, socially engaged topics that resonate with a diverse range of audiences, creating powerful memories and moving experiences. Her practice combines cutting-edge technology and traditional artistic mediums in an emotionally charged and poetic form; often utilizing sound, video mapping, projection, motion sensors and other techniques to bring her innovative paintings and installations to life.

Her seminal piece, Introspection​ (2018), is a striking, immersive experiential artwork which leaves many viewers moved and affected, whilst inspiring them to take action in their own lives. The work has been exhibited at the Saatchi Gallery, London (as part of START, September 2019); Alserkal Avenue, Dubai (Dubai Art Week, March 2019); and as a collateral project at the Kochi Biennale, India (Kochi-Muziris Biennale, 2018).

More recently Poonawalla has begun exploring work with shorter digital format films. Her 3min 36

second film Circle​ of Life addresses​ the idea of memory and is​ exhibited at the 7th Mediations Biennale in Poland. Other digital works can be seen on SedtionArt.com and at the upcoming World Art Dubai, 2020.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »
Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women? 4

Gender. Hysteria. Architecture. | What Might Care Look Like If It Were Not Afraid of Women?

What kinds of spaces exist where women can breathe without being watched? If hysteria no longer exists as a diagnosis, why does its architecture remain? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in the third and last chapter of this series follows the spatial logics that developed to manage hysteria, which continue in the contemporary environments of care safety, and everyday life. If the diagnosis has been discredited, what explains the persistence of its walls?

Read More »
Kirtee Shah on architecture profession at CEPT University alumni meet

“… the way architecture [profession] is perceived and practised, it needs to move from the pedestal to the ground.”—Kirtee Shah

In his presentation at the CEPT Alumni Meet, in January 2026, Kirtee Shah offers “something to think about” for the architects and planners regarding the future of architecture profession. He urges architects to relearn and refocus on service, sustainability, and inclusivity while addressing urban chaos, poor housing, rural neglect, and climate challenges.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards