Memories of Objects in Trivandrum by Fictional Project

Memories of Objects in Trivandrum. by Fictional Project

“Memories of objects” designed by Fictional Project, is a curated architectural project that recreates the story of the materials that once made a matriarch’s beautiful home.  
Memories of Objects in Trivandrum by Fictional Project

Memories of Objects in Trivandrum by Fictional Project

“Memories of objects” is a curated architectural project that recreates the story of the materials that once made a matriarch’s beautiful home.  

The home was conceived as the rebirth of the traditional houses in the area, where the verandah is the welcoming feature. The verandah of this house twist and turn incorporating the private realm along its route, and one would never know where it began or end. It is the spine of the house that holds the spirit of the family together. Gathering, cooking, dining all happens within this spirited place. 

The materials from demolishing a house that existed nearby came to help in creating these spaces. But they came along with their own stories to tell the world.  The wooden doors that once witnessed the happy life of a matriarch, now remains witnessing the warm relations between the brothers and their mother. The windows that once were the restricted outlook of the lady now embraces a panoramic experience of the life around. 

The roof tiles should be over the roof by now out of joy, as they cannot believe that they envelopes the marvelous volume of space below where the inhabitants of the house breathe their freedom. And the bricks of the house, that were crafted by specialized hands still cannot hold their excitement when they talk about their birth and growth. 

Drawings

Project Facts

Project Name “ Memories of Objects “ 

Category –  Residential 

Client Sreekandan Nair 

Architectutre Firm Fictional Project

Area 1600 Sq.ft 

Year of Completion 2017 

Location Trivandrum 

Photographer Kiran Thulasi

One Response

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards