House of three, Kerala, by Rahul Venugopal

Located in Kayamkulam, Kerala, House of three is a combination of the charm and humbleness of agrarian culture and lifestyle to suit the residential needs of a three-member family. It is designed by Kerala based architects, Rahul Venugopal.

House of three, spirited out of pure limitations of resources, space and money, is Rahul Venugopal, Principal Architect’s abode crafted with all the charm and humbleness of agrarian culture and lifestyle to suit the needs of the three-member family. A home approached through a series of unassuming Kerala landscapes attracts one to a significant play of sloping roof proportions accompanied by the beautiful northern lights that shine on this bare brick structure intervening with bold white belts.

Earlier, the land accommodated a fifty-year-old home which was demolished and materials such as bricks (reused for walls and foundation for the new house), Mangalore tiles, and stone slabs found in the adjacent areas (reused as stone seaters, steps and pillars), metal rods from the nearby plot (reused as staircase handrail) and old wooden joinery were exploited to the maximum possible extent to reduce the imprint of the new house. Filler slabs, oxide flooring and walls, exposed bricks etc form the identity of the architect’s home and his practice. 

A modest living/dining room with built-in seaters, with an interactive play of oxide colours, imprints of leaf on treads of the stairs and foyer, a kitchen and two small bedrooms on the ground floor and a first-floor studio area overlooking the vast pond make one fall in love with this experimental but atypical home. The trickle of light in through the brick jaali, the classic red of the veranda flooring, the play of light on the whimsical speckles of the studio’s green oxide, the blue of the roof rafters, the chirping of babblers and koels by the pond and an unending aura of a definite Kerala landscape…House of three is setting an example for “need to necessity” in everyday life.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards