Hamidur Rahman Memorial Complex, Dhaka, Bangladesh, by Marina Tabassum Architects

SHARE THIS

Note: The content below has been curated from publicly available resources.

The Hamidur Rahman Memorial Complex is located along the Buringanga River in Fatullah, Dhaka, Bangladesh. The sprawling grounds are screened from the street by a high wall. The former Hamid family home was built in the 1960s at the western end of the site, directly on the riverbank. In the years that followed, leading to the country gaining independence, it was a secret meeting place and served as a hideout for Awami League politicians who could reach the house by boat unseen. After 1971, a cold storage facility was built on the property for commercial purposes, and nine years later, a multi-story textile factory was built. With all these developments, the family home remained unused, which led to its dilapidation.

Nasrul Hamid, the current Minister of State for Power, Energy, and Mineral Resources, initiated the project as a place of remembrance for his father, Hamidur Rahman. The latter was a founding member of the Awami League and treasurer of the party. He is buried in the southern part of the site. The grave itself is, in accordance with Muslim tradition, merely a slight mound facing Mecca. As a smaller memorial installation, a concrete pavilion with a pitched roof was built adjacent to the grave. The linearity of the site was broken into courtyards by the introduction of two pavilions. The former double-storey residence on the riverbank was partly restored and partly demolished to allow space for a private museum. The plan is to exhibit historical memorabilia in this house. In the northern part of the property, the raw material store of the textile factory has been repurposed as a weekend house with two bedrooms, two bathrooms, and a loft-like living area, which was added to the factory for the family.

The overall Hamidur Rahman Memorial complex has the character of an open-air architectural promenade of separate structures. Their abstraction makes them resemble a sculpture park that visitors can walk through.


Project Drawings:


Project Details:

Name: Hamidur Rahman Memorial Complex
Location: Fatullah, Narayanganj District, Dhaka Division, Bangladesh
Status: Built (2020)
Built Area: 1.5 Acres
Typology: Cultural Architecture – Museum and Memorial
Design Firm: Marina Tabassum Architects
Team: Marina Tabassum, Arman Abedin, Tasneem Farah Siddique, Argha Saha
Client: Hamid Group

Consultants:
Mep & Hvac Consultant: Eng. Anis (MTA)
Structure Engineer: Eng. Monayem Hossain
Interior, Landscape, Lighting Designer: Marina Tabassum Architects
Mep & Hvac Consultants: HCL, Tritech Building Services LTD
Photographs Credit: City Syntax, Asif Salman
Description: Marina Tabassum Architects

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

More Featured Works

ALive! Reads

A Modernist’s Doubt: Symbolism and the Late Career Turn

Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.

Read More
Ode to Pune - A Vision. © Narendra Dengle - 1

The City That Could Be: An Ode to Pune

Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities

Read More
(left) Turtle Poem 1999 & Calligraphy 2006, by H. Masud Taj. © H. Masud Taj. (right) Photograph of Hassan Fathy 1976, © Martin Lyons

“Hassan Fathy’s head was in the heavens, heart in the right place, and feet planted firmly on earth.”—H. Masud Taj on his Turtle poem & Hassan Fathy

H. Masud Taj elucidates how, as a young architecture student, he dropped out of his institution to travel and learn from monuments, discovering in Gaudí’s Sagrada Familia a turtle column that catalyzed an inquiry, hearing Hassan Fathy’s explication of the turtle in Cairo, ultimately crystallizing in Taj’s poetic meditation on dwelling.

Read More

Featured Publications

New Release

We Are Hiring

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers