Floating House, at Bangalore, by Crest Architects

Floating Walls Residence at Bangalore, Karnataka, by Crest Architects

Nestled in the backdrop of a metropolis, the Floating Walls Residence, by Crest Architects, promises an escape from the city life. The plot for this house sits in a densely populated locality. The major concern was finding an intimate space in the crowd and arriving at a visually engaging structure amidst the chaotic background. The client's brief called for a simple and spacious Vaastu compliant house for a family of five.
Floating House, at Bangalore, by Crest Architects

Floating Walls Residence at Bangalore, Karnataka, by Crest Architects 1Nestled in the backdrop of a metropolis, the Floating Walls Residence, by Crest Architects, an escape from the city life. The plot for this house sits in a densely populated locality. The major concern was finding an intimate space in the crowd and arriving at a visually engaging structure amidst the chaotic background. The client’s brief called for a simple and spacious Vaastu compliant house for a family of five.

An introverted open plan layout has been adopted to create a seamless flow of spaces and to ensure connectivity across the floors. Designed around two landscaped courtyards, the building program is spread across three floors consisting of a parking area, formal and informal living, an open kitchen and dining, five bedrooms, a study and a semi-open terrace with a kitchenette. Both the courtyards have been strategically designed with skylights to bring in maximum light.

One is welcomed into the house by a 4” thick Sadahalli stone slab bridging over the Koi fish pond and a series of large granite steps. The traditional concept of load-bearing and counterweight system has been used in the screen wall by cantilevering 2″ thick Sadahalli slab, to create a dramatic impact at the entrance. Clear glass has been used in the formal and informal areas to establish a strong relationship with the outside. The central dining space is flanked by courts on both sides creating a tranquil ambience.

Inspired by the Japanese art form, Origami, the captivating metal staircase in the southern court is cantilevered from a suspended wall unfolding a distinctive experience and a sense of lightness within the house. The northern court anchors the entire built space bringing in abundant natural light, providing a visual connection between the floors and setting a refreshing ambience. Canopied by a temple tree, the artfully designed puja sits as a distinguishing sculpture in this court. A transparent layer of glass introduced to bring in light to the rooms overlooking the courtyard has been furnished with fabric panels that provide the flexibility of usage to the inhabitants. All these spaces within the house are wrapped around the courtyards, which symbolizes the ‘exterior’ within this introverted scheme. Skylights and multiple slits integrated into the design keep the interiors well lit accentuates the spatial experience and make certain of a connection with nature that largely lacks in today’s urban world.

The interiors are kept simple and have been devised with great attention to detail to blend smoothly with the architectural elements. Natural textures of wood and exposed concrete amidst the subtle elements and neutral colour palettes with accents like olive green, navy blue, crimson red and burnt orange create elegant spaces that exemplify a comprehensively designed urban home.

The exterior surfaces are a blend of clean white walls juxtaposed against timber and glass. A series of staggered slits have been deliberately positioned at unconventional heights throughout the building to allow light and maximum views of the outside without compromising on privacy. The striking inclined wall introduced at the front elevates the overall massing and adds a sense of dynamism to the building.

The house is a display of intertwined indoor and outdoor spaces designed to filter in ample natural light and ventilation while ensuring a comfortable living environment. It adheres to the site conditions and has a strong element of individuality that enhances the quality of living through well-stitched spaces, materials, techniques, craftsmanship and infuses the interiors with personalized detailing to create profound experiences. The slits and openings in the building have been designed to create an illusion of levitating masses, hence the name – Floating Walls.

Project name: Floating Walls Residence

Company name: Crest Architects

Project Location: Bangalore, India

Completion Year: 2019

Principal Architects: Vishwas Venkat and Vikas MV

Project team: Shreya Ramachandra, Vikas MV and Vishwas Venkat

Built-up Area: 4266 sqft

List of products used in the project

  1. Toto – Sanitaryware
  2. Kohler – Sanitaryware
  3. Saint Gobain – Glass
  4. Grohe – Bath fittings
  5. Natuzzi – Furniture
  6. Script – Furniture
  7. D’decor – Curtains and accessories
  8. Kosh Studio – Curtains and accessories
  9. Wurfel – Modular Kitchen

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards