Floating House, at Bangalore, by Crest Architects

Floating Walls Residence at Bangalore, Karnataka, by Crest Architects

Nestled in the backdrop of a metropolis, the Floating Walls Residence, by Crest Architects, promises an escape from the city life. The plot for this house sits in a densely populated locality. The major concern was finding an intimate space in the crowd and arriving at a visually engaging structure amidst the chaotic background. The client's brief called for a simple and spacious Vaastu compliant house for a family of five.
Floating House, at Bangalore, by Crest Architects

Floating Walls Residence at Bangalore, Karnataka, by Crest Architects 1Nestled in the backdrop of a metropolis, the Floating Walls Residence, by Crest Architects, an escape from the city life. The plot for this house sits in a densely populated locality. The major concern was finding an intimate space in the crowd and arriving at a visually engaging structure amidst the chaotic background. The client’s brief called for a simple and spacious Vaastu compliant house for a family of five.

An introverted open plan layout has been adopted to create a seamless flow of spaces and to ensure connectivity across the floors. Designed around two landscaped courtyards, the building program is spread across three floors consisting of a parking area, formal and informal living, an open kitchen and dining, five bedrooms, a study and a semi-open terrace with a kitchenette. Both the courtyards have been strategically designed with skylights to bring in maximum light.

One is welcomed into the house by a 4” thick Sadahalli stone slab bridging over the Koi fish pond and a series of large granite steps. The traditional concept of load-bearing and counterweight system has been used in the screen wall by cantilevering 2″ thick Sadahalli slab, to create a dramatic impact at the entrance. Clear glass has been used in the formal and informal areas to establish a strong relationship with the outside. The central dining space is flanked by courts on both sides creating a tranquil ambience.

Inspired by the Japanese art form, Origami, the captivating metal staircase in the southern court is cantilevered from a suspended wall unfolding a distinctive experience and a sense of lightness within the house. The northern court anchors the entire built space bringing in abundant natural light, providing a visual connection between the floors and setting a refreshing ambience. Canopied by a temple tree, the artfully designed puja sits as a distinguishing sculpture in this court. A transparent layer of glass introduced to bring in light to the rooms overlooking the courtyard has been furnished with fabric panels that provide the flexibility of usage to the inhabitants. All these spaces within the house are wrapped around the courtyards, which symbolizes the ‘exterior’ within this introverted scheme. Skylights and multiple slits integrated into the design keep the interiors well lit accentuates the spatial experience and make certain of a connection with nature that largely lacks in today’s urban world.

The interiors are kept simple and have been devised with great attention to detail to blend smoothly with the architectural elements. Natural textures of wood and exposed concrete amidst the subtle elements and neutral colour palettes with accents like olive green, navy blue, crimson red and burnt orange create elegant spaces that exemplify a comprehensively designed urban home.

The exterior surfaces are a blend of clean white walls juxtaposed against timber and glass. A series of staggered slits have been deliberately positioned at unconventional heights throughout the building to allow light and maximum views of the outside without compromising on privacy. The striking inclined wall introduced at the front elevates the overall massing and adds a sense of dynamism to the building.

The house is a display of intertwined indoor and outdoor spaces designed to filter in ample natural light and ventilation while ensuring a comfortable living environment. It adheres to the site conditions and has a strong element of individuality that enhances the quality of living through well-stitched spaces, materials, techniques, craftsmanship and infuses the interiors with personalized detailing to create profound experiences. The slits and openings in the building have been designed to create an illusion of levitating masses, hence the name – Floating Walls.

Project name: Floating Walls Residence

Company name: Crest Architects

Project Location: Bangalore, India

Completion Year: 2019

Principal Architects: Vishwas Venkat and Vikas MV

Project team: Shreya Ramachandra, Vikas MV and Vishwas Venkat

Built-up Area: 4266 sqft

List of products used in the project

  1. Toto – Sanitaryware
  2. Kohler – Sanitaryware
  3. Saint Gobain – Glass
  4. Grohe – Bath fittings
  5. Natuzzi – Furniture
  6. Script – Furniture
  7. D’decor – Curtains and accessories
  8. Kosh Studio – Curtains and accessories
  9. Wurfel – Modular Kitchen

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Folles de la Salpétrière, (Cour des agitées.) (Madwomen of the Salpétrière. (Courtyard of the mentally disturbed.))

Gender. Hysteria. Architecture. | “How Did a Diagnosis Learn to Draw Walls?”

Did these spaces heal women or teach them how to disappear? Aditi A., through her research study as a part of the CEPT Writing Architecture course, in this chapter follows hysteria as it migrates from text to typology, inquiring how architectural decisions came to stand in for care itself. Rather than assuming architecture responded to illness, the inquiry turns the question around: did architecture help produce the vulnerability it claimed to manage?

Read More »
Gender, Hysteria, and Architecture - The Witch Hunt. Henry Ossawa Tanner. Source - Wikiart

Gender. Hysteria. Architecture. | “When Did Care Become Confinement?”

Was architecture used by society to spatially “manage” women and their autonomy? Aditi A., through her research study as a part of the CEPT Writing Architecture course, examines the period before psychiatry, when fear had already become architectural, tracing how women’s autonomy was spatially managed through domestic regulation, witch hunts, informal confinement, and early institutional planning.

Read More »

A Modernist’s Doubt: Symbolism and the Late Career Turn

Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.

Read More »
Ode to Pune - A Vision. © Narendra Dengle - 1

The City That Could Be: An Ode to Pune

Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities

Read More »

Featured Publications

New Release

We Are Hiring

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers