Evolution of Indian architecture post-independence | Future of Architecture in India | Prashant Pradhan

Prashant Pradhan, architect at Prashant Pradhan Architects shares his thoughts on Western influence on Post-Independence Architecture and the emergence of indigenous architects in India.

Post-Independence India led to Liberation and Freedom. This meant political freedom from the British but also meant liberation from the shackles of the rigorous Colonial order. India moved consciously to adopt the international style and, as the world had moved away from classical genres into modern architecture, so had India in 1947, decided to discard the past and welcome the new opportunities that Independence had to offer. Thus began the era of modern India through the buildings of Corbusier and Louis Kahn.

We may have enjoyed political freedom but, this international style was perhaps an imposition of another kind – one that gave rise to nameless and faceless and characterless urban typologies.

Learning from the masters, Doshi and Correa paved the way for a new breed of indigenous architects who replaced the word ‘imposition’ with ‘influence’.

These new architects had the freedom to choose what context they would reference as well as the manner in which they would be responding to it – literally, or subtly.

This could be the freedom today for Indian architects post-independence.


 

Evolution of Indian architecture post-independence | Future of Architecture in India | Prashant Pradhan 1Author

Prashant Pradhan is the Principal Architect of Gangtok-based Prashant Pradhan Architects.  He is a graduate of CEPT and has done his post-graduation from the Berlage Institute, Netherlands. He has spent time working in offices in Amsterdam and New York and has also taught at the City University in NYC.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards