Competition – Telangana state department of Archaeology and Museums

A recently released notice by the Telangana state department of Archaeology and Museums has been getting a lot of attention, but for all the wrong reasons.

Notice by Telangana State Archeology - Museum Competition
Notice by Telangana State Government – Museum Design Competition

The notice (above), which invites applications from Indian firms for designing of new museums and refurbishment of the existing ones in the new state, sets out rather broad criteria for the applicants, inviting candidature of firms which specializes in museum design and have a considerable reputation in India and over-seas – except for the clause which specifically states that the applicant must have completed two projects abroad of a similar nature.

This particular article of the invitation has received a lot of flak within the architectural community. It effectively bars firms of a relatively small statute – ones which do not or have had not had the resources to have such a diverse work-experience – from even considering participating in the competition.

Newly established architects and the firms whose work is deeply rooted within the Indian context – and hence also restricted geographically – now stand disqualified from what should have been an excellent opportunity to foster new-found talent. The process of state building is one which must be a catalyst of growth in all spheres, but disbarring a huge chunk of the home-grown talent on such an unreasonable basis – which is glaringly Euro-centric in its approach – undercuts the importance of architectural work done within the country. It indicates a tendency to measure professional capability through international clout rather than suitability to the task and the context, an approach which is blatantly anti-‘Make in India’ – an aspiration a state government should have been, ideally, working towards.   

Further, to have had completed two museum projects abroad is an oddly specific criterion, one which a very small subset of architects or firms can qualify for. Questions have been raised whether this is not indicative of the system being rigged pre-emptively in favour of a specific firm, to ensure that they can be awarded the project within the framework of fairplay. The Indian Institute of Architects has contacted the state government yesterday and request them to retract this clause. It remains to be seen what effect it would have on the authorities.

IIA's letter to Telangana State Archeology Department
IIA’s letter to Telangana State Government – Archeology and Museum Department

No matter how one sees it, it is clear that what is lacking is a level playing ground and transparency within the system. Can one truly hope to see the architectural profession flourish within the country when the government itself refuses to provide ample opportunities for it?


Text: Anupriya Saraswat

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »
Sen Kapadia

Nirbhaya Nirgun
“Sen [Kapadia] found his own light early. He followed it without apology and without detour, and never let anyone dim it.”
—A Tribute by Pinkish Shah

Pinkish Shah’s homage to Sen Kapadia, celebrates him as fearless and formless in both life and work. Intellectually rooted in Louis Kahn and Sri Aurobindo, Sen pursued architecture that transcended form toward essential silence. Known for his courage, he maintained quiet, unwavering independence throughout his career.

Read More »
Prof Shireesh Atmaram Deshpande

“Professor Shireesh Deshpande chose the far more difficult task: to mould young minds into thoughtful, responsible, and rooted architects.”—A Tribute by Sarbjit Singh Bagha

Sarbjit Singh Bagha shares his tribute to Prof. Shireesh Atmaram Deshpande (1934–2026), a pioneering figure in Indian architectural education who passed away on 10 April 2026 at 91. Known affectionately as “Dada,” he spent nearly four decades at VNIT Nagpur, founding India’s first M.Arch. programme and introducing innovative pedagogy. He served as President of the Indian Institute of Architects (1992–1994). Choosing teaching over professional practice, he shaped generations of architects.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards