Chintan 2019_The Program 6

Chintan 2019 – Contemplating Built Environment, by G D Goenka School of Architecture and Planning

Chintan 2019_The Program 6

Introduction

G D Goenka University is a young university with a vision to aspire towards becoming a University which is internationally recognized as an institution of higher learning through an inclusive, innovative, value-based education & research preparing socially responsible citizens.
Our mission is to educate globally competent graduates through:
• Inter-disciplinary project based learning with a focus on innovation & research that improves employability.
• Flexible and distinctive pedagogy that leverage technology and instill a notion of lifelong learning.
• Efficient systems and processes that enable the faculty, staff and students to optimally realize their potential.
• Association with top ranked institutions and leading industries that facilitate exchange of scholars.

The School of Architecture & Planning is hosting our annual event “Chintan 2019 – Contemplating Built Environment” where Mr. Raj Rewal, an eminent architect is being felicitated with a honorary doctorate. A panel discussion with architects, conservationists and other stakeholders follows on the status and issues in the field of contemporary heritage. The audience is proposed to include eminent professionals and academicians along with students of architecture. We hope that this event will raise relevant questions and allow ideation on the subject.

Chintan 2019 | Contemporary Heritage – Is the meaning lost in translation?

Chintan 2019 / G D Goenka School of Architecture and Planning

Ordinarily speaking, heritage is something which we inherit from our ancients, our ancestors. We cherish it because it is the memory of those objects which gives us a sense of wonderment in life. It enriches our knowledge of the times gone by, how people lived. Similarly, we desire to leave behind a mark of our own culture so that people in the distant future may also be informed as to what kind of cultural ethos we possessed. So it is evident that heritage gets built in the present, to inform the future as testimony of a spatio-temporal context of identity and culture.

How is a contemporary building heritage?
ICOMOS’s Modern Heritage program in Holland “focuses on raising awareness concerning the heritage of architecture, town planning and landscape design of the modern era, which is considered to be particularly vulnerable because of weak legal protection and low appreciation among the general public.” (Citation) INTACH has also submitted to the DUAC that “the post 1947 period in India is architecturally important as the country was shaping a modern identity and buildings possess contain the same characteristics of heritage as historical buildings which require preservation.” DUAC however contended that contemporary heritage was a complex issue and needs to be studied further.

At School of Architecture & Planning, G D Goenka University, we are looking at the rapid, and frankly bewildering, developments in the city around us with a sense of trepidation, if not impending doom. Our students look at the built environment around them for architectural inspiration, which is abysmally low. Yet, there are some buildings which remain inspirational and memorable enough to be classified as heritage.

SPEAKERS and SCHEDULE

Chintan 2019 / G D Goenka School of Architecture and Planning

In this set of panel discussions we are exploring the viability, requirements, components and characteristics of contemporary heritage in India. Issues of urbanism, history, technology and environment may inform this discussion as well as context, identity, conservation, preservation, adaptive reuse, organization/individual among others. It is our intent to open up the subject using this short symposium as a platform and continue the ideas beyond this threshold in much greater detail so as to maintain a continuity of sorts between one conversation and the next one.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards