“Architecture should express diversity and the immeasurable. There are so many different ways of looking at things, infinite ways to enjoy and infinite ways to create. Celebration means that you create your own reality. My reality is about diversity and heterogeneous homogeneity. I realise that life is intangible.”
B.V. Doshi
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Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.
Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities
H. Masud Taj elucidates how, as a young architecture student, he dropped out of his institution to travel and learn from monuments, discovering in Gaudí’s Sagrada Familia a turtle column that catalyzed an inquiry, hearing Hassan Fathy’s explication of the turtle in Cairo, ultimately crystallizing in Taj’s poetic meditation on dwelling.
A. Srivathsan in his preliminary overview of the new Viksit Bharat Shiksha Adhishthan Bill, notes that the bill could transform architectural education. The VBSA Bill proposes restructuring India’s higher education regulation, by dissolving UGC and related authorities, creating three new councils for regulation, accreditation, and standards.
Harshad Bhatia examines contrasting architectural desires—urban nostalgia for vernacular forms versus rural aspiration toward concrete modernity. He critiques sustainability rhetoric and Smart City initiatives as quantitative exercises divorced from qualitative human needs, advocating instead for indigenous wisdom and stakeholder engagement.
Suneet Paul reflects on Chandigarh’s modernist planning, lush green spaces, and iconic architecture, highlighting architects like Le Corbusier’s and S.D. Sharma’s contributions, high quality of life for residents, and the city’s enduring appeal despite emerging urban challenges.
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2 Responses
The ‘i’ captures the essence of each word. No life without the self, its relevance due to the present moment, and its perception in immateriality nevertheless manifesting in all things material.