Anand sweets by I’m D’sign at Hennur, Bangalore

Anand Sweets, an interior design project by I'm D'sign in Hennur, Bangalore, adapts to a lively and fresh aesthetic that breathes new life into the brand’s retail experience.
Anand sweets by I'm D'sign at Hennur, Bangalore 1

When it comes to Indian culture a fresh start always calls for a box of sweets–be it as an offering for the divine or a token of love shared with close ones. These candied sentiments are perfectly housed in Anand sweets at Hennur, Bangalore, which brings together delectable palettes and tasteful details for a wholesome retail experience. As the first post-pandemic store of the renowned brand, the space adapts to a lively and fresh aesthetic that breathes new life into the brand’s retail experience that has been created by I’m D’sign ourselves, for the last 15 years.

Anand sweets by I'm D'sign at Hennur, Bangalore 3

The revisit to the brand’s image in this particular timeline called for the learnings from the post-pandemic life and its take on hospitality design, bringing in greenery as an intrinsic part of the space, among the other sensorial elements such as colour palettes, lighting etc. that kindle a mood. The linear stretch of the space introduces green pockets as a part of the dining experience while the retail side is outweighed by immersive material palettes and their decorous composition. Every detail of the design speaks for positivity, with the vibrance of the space that yearns to counter the covid gloom and encourages people to step out, meet up and celebrate.

The celebrative spirit of the sweets reflects in the material, design and colour story of the space in a way that there is energy, coexisting with comfort. It is where the bolder hints of a radiant tangerine have the company of the warm accents of wood and cane. The assortment gets a contemporary edge with the stripe statement of the slatted walls, tapering silhouettes of the tables and arciform curvature of the frames running all across. The mixed media palettes of marble, mosaic and polished gold come together to signal the plush character of celebrations that also comes out as a playful mix of vibrance and fun.

The retail ambience is roofed under a bespoke ceiling structure that brings out a playful rhythm of arches with profile lights and chandeliers that wrap around an exposed ceiling creating a channel for ambient lighting. The ducts refuse to shy away and take after the tangerine palette to paint the space in the hues of celebration. Tiered displays and glass encasements in neutral whites best complement the intricacies of the ceiling and create a visual demarcation of the retail space from the diner, making Anand sweets a host for collective experiences.

Anand sweets by I'm D'sign at Hennur, Bangalore 9

Project facts:

Project Name: Anand Sweets

Location: Hennur, Bangalore, India

Year of Completion: 2022

Design lead – Dhruva Kalra

Team – Azmat Khan, Sanjay Sah, Meharwan Singh Rawat

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards