Anand sweets by I’m D’sign at Hennur, Bangalore

Anand Sweets, an interior design project by I'm D'sign in Hennur, Bangalore, adapts to a lively and fresh aesthetic that breathes new life into the brand’s retail experience.
Anand sweets by I'm D'sign at Hennur, Bangalore 1

When it comes to Indian culture a fresh start always calls for a box of sweets–be it as an offering for the divine or a token of love shared with close ones. These candied sentiments are perfectly housed in Anand sweets at Hennur, Bangalore, which brings together delectable palettes and tasteful details for a wholesome retail experience. As the first post-pandemic store of the renowned brand, the space adapts to a lively and fresh aesthetic that breathes new life into the brand’s retail experience that has been created by I’m D’sign ourselves, for the last 15 years.

Anand sweets by I'm D'sign at Hennur, Bangalore 3

The revisit to the brand’s image in this particular timeline called for the learnings from the post-pandemic life and its take on hospitality design, bringing in greenery as an intrinsic part of the space, among the other sensorial elements such as colour palettes, lighting etc. that kindle a mood. The linear stretch of the space introduces green pockets as a part of the dining experience while the retail side is outweighed by immersive material palettes and their decorous composition. Every detail of the design speaks for positivity, with the vibrance of the space that yearns to counter the covid gloom and encourages people to step out, meet up and celebrate.

The celebrative spirit of the sweets reflects in the material, design and colour story of the space in a way that there is energy, coexisting with comfort. It is where the bolder hints of a radiant tangerine have the company of the warm accents of wood and cane. The assortment gets a contemporary edge with the stripe statement of the slatted walls, tapering silhouettes of the tables and arciform curvature of the frames running all across. The mixed media palettes of marble, mosaic and polished gold come together to signal the plush character of celebrations that also comes out as a playful mix of vibrance and fun.

The retail ambience is roofed under a bespoke ceiling structure that brings out a playful rhythm of arches with profile lights and chandeliers that wrap around an exposed ceiling creating a channel for ambient lighting. The ducts refuse to shy away and take after the tangerine palette to paint the space in the hues of celebration. Tiered displays and glass encasements in neutral whites best complement the intricacies of the ceiling and create a visual demarcation of the retail space from the diner, making Anand sweets a host for collective experiences.

Anand sweets by I'm D'sign at Hennur, Bangalore 9

Project facts:

Project Name: Anand Sweets

Location: Hennur, Bangalore, India

Year of Completion: 2022

Design lead – Dhruva Kalra

Team – Azmat Khan, Sanjay Sah, Meharwan Singh Rawat

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Source - Deccan Chronicle

Wall As a Public Space
“To read public space only as a spatial condition, as a matter of square footage, zoning, or physical access, is to miss half the picture.”
—Reshma Esther Thomas

Reshma Esther Thomas examines how Hyderabad’s flyover pillars, painted with Cheriyal-style murals under the GHMC’s ‘City Art Scape’ initiative, reveal the paradox of managed public space. What appears to be beautification is actually cultural assertion in the wake of the 2014 bifurcation, bureaucratising a surface that once belonged to those without institutional power.

Read More »
Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »
Sen Kapadia

Nirbhaya Nirgun
“Sen [Kapadia] found his own light early. He followed it without apology and without detour, and never let anyone dim it.”
—A Tribute by Pinkish Shah

Pinkish Shah’s homage to Sen Kapadia, celebrates him as fearless and formless in both life and work. Intellectually rooted in Louis Kahn and Sri Aurobindo, Sen pursued architecture that transcended form toward essential silence. Known for his courage, he maintained quiet, unwavering independence throughout his career.

Read More »
Prof Shireesh Atmaram Deshpande

“Professor Shireesh Deshpande chose the far more difficult task: to mould young minds into thoughtful, responsible, and rooted architects.”—A Tribute by Sarbjit Singh Bagha

Sarbjit Singh Bagha shares his tribute to Prof. Shireesh Atmaram Deshpande (1934–2026), a pioneering figure in Indian architectural education who passed away on 10 April 2026 at 91. Known affectionately as “Dada,” he spent nearly four decades at VNIT Nagpur, founding India’s first M.Arch. programme and introducing innovative pedagogy. He served as President of the Indian Institute of Architects (1992–1994). Choosing teaching over professional practice, he shaped generations of architects.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards