Triangulated Skin - Joy Mondal - Wesearch Lab

Triangulated Skin – Installation by WEsearch lab at M.S. University, Baroda

Triangulated Skin - Joy Mondal - Wesearch Lab

Location : Dept. of Architecture, M.S. University, Baroda
Software : Rhino and Grasshopper
Material : 2mm thick mount board and 10mm wide staple
Duration : 24 hours
Budget : 12,000 INR

Triangulated Skin - Joy Mondal - Wesearch LabWEsearch lab recently completed their ‘Triangulated Skin’ installation at Department of Architecture, M.S. University, Baroda as part of a design computation workshop. The installation is literally a triangulated skin made of 2mm thick mount boards which are laser cut into shape, and joined using 10mm wide staples. The method of assembly selected was low-tech to adhere to the strict duration and budget constraints, and to make the process participatory. The installation is on display at the architectural event – Reflection 2017.

Triangulated Skin - Joy Mondal - Wesearch LabThe installation is made of 400 pieces of triangles with flaps, which comprises of four sets of 100 different pieces (as shown in the diagram above). The half-cut flaps are folded and stapled to each other using simple low-tech flap to flap alignment. Because the flaps are stapled and the folds are free to rotate, the triangles can uni-axially rotate at every flap joint.

The triangles and flaps are numbered, which allowed easy one to one assembly of the triangles. As a consequence of the pin joinery of the triangles, the installation can be arranged in infinite number of ways, making the triangular skin amorphous in nature.

The installation is literally a triangulated skin made of 2mm thick mount boards which are laser cut into shape, and joined using 10mm wide staples. The method of assembly selected was low-tech to adhere to the strict duration and budget constraints, and to make the process participatory.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »
Massing during construction, retaining the exposed concrete facade composition, cross columns and profiled beams. Archival collection of Tibet House, 1977. Accessed in 2026

Brutalist India | Tibet House, New Delhi

As part of Brutalist India series Bhawna Dandona writes about Tibet House in New Delhi which is a non-profit cultural centre dedicated to preserving Tibetan heritage, founded in 1965 at the Dalai Lama’s request. The current building’s foundation was laid in 1974, with architect Shivnath Prasad.

Read More »
Vivek Rawal

Architecture, Power, and the Poor | “As a profession, architecture lacks moral position and has become complicit in the neoliberal dispossession of the poor.”—Vivek Rawal

Vivek Rawal argues that architecture—as a profession—is structurally aligned with political and economic power rather than social justice. He critiques how architectural education and practice prioritise developers and real estate over communities, turning housing into a market commodity. Even movements like sustainability and participation, he says, often become tools for elite consumption rather than genuine empowerment. True moral reform, according to Rawal, would mean architects relinquishing control and enabling community-led design and housing decisions.

Read More »
The Chunli Guesthouse, Shanghai, China by TEAM_BLDG 1

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG

The Chunli Guesthouse, Shanghai, China by TEAM_BLDG’s response to nature, memory, and the spirit of place. The design takes “Catching” as its spiritual core, emphasizing the relationship between the architecture and the surrounding rice field landscape.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards