The Pavilion House, Bhilai by Flyingseeds Design Studio

The Pavilion House, Bhilai by flYingseeds Studio

The Pavilion House, Bhilai, designed by flYingseeds Studio, is a new contemporary house next to the existing one, with an open garden all to it.
The Pavilion House, Bhilai by Flyingseeds Design Studio
The Pavilion House, Bhilai by Flyingseeds Design Studio

The Pavilion House, Bhilai, Chhattisgarh by Flyingseeds Design Studio

The site, around 25000 sqft, was a flat, long rectangular profile orienting North-South with an existing house of the owner on the extreme Southwest segment of the plot and a vast garden towards the north.

The brief was to design a new contemporary house next to the existing one, with an open garden all to it. This new house belongs primarily to the new Generation, two young boys who were about to start their own family soon.

The Family, being affable and social, always believed in meeting and hosting community gatherings, often within their own premises. Hence we aspired to ideate a  zestful, young Contemporary Indian house nestled within nature, dedicated to recreational pursuit!

To start with, The Ground floor level was conceived as a free-flowing open layout with blurred boundaries between the interconnected spaces, which eventually could act as one big public space when needed.

The New house shares the entrance porch and reception with the existing house. Both the house units have been intentionally connected with an axial wall, which originates from the existing house, travels through the fascia of the existing Temple and divides the entire building footprint in 1:2, which is further divided into three equal rectangular zones – Living, Common area and Private Zones stretching from North to South. The Fragmental Wall, as we call it, is the transition element, made out of indigenous limestone, articulated with strategic openings, between the Living, Drawing and Common lobby. Once in the entrance lounge, this free-standing wall is the main guiding axis travelling throughout the length of the common lobby and Drawing room to the edge of the Pool.

 On the south end of the Pool sits the secluded entity ‘The Pavilion’ overlooking the pool. The glass Pavilion has been envisaged as the tranquil recreation hub of the house, floating above the pool and is the final destination of all the movement routes at the ground floor level. It is connected to the semi-covered bar extending out of the Drawing room on one side and to the living room deck through glass steps over the pool on another side. The Drawing room is connected to the pool on the east with large full-height windows.  The flexible nature of the living areas moulds themselves by spilling over and merging together as per the size of the gathering.

A prominent existing Plumeria tree in the centre of the rear Garden in the North induces the built mass and carves in a part of the garden deep into the core of the building, thereby bringing nature indoors to bloom right in the centre of the living space and be in constant transmission with it. The green court is secured by a double height glazing and an inclined north skylight on the top making it a large Green Terrarium amplifying the openness and bringing in the abundance of North light throughout the day for the living and common areas. The living spaces, oriented towards the vast garden, feature full-height glass windows to invigorate transparency and undeterred views.

The South façade of the house comprises a thick double cavity wall with small apertures integrated with specifically designed solar shading louvres to achieve efficient passive thermal insulation and block the harsh Sun of the long summers of central India.

All the master bedrooms sit on the first and second floor and align to the south edge of the house.

 The New house connects the existing one on the first floor through a wide green bridge, right above the entrance portico. The connecting bridge and the terraces flaring out in north and south have been encapsulated with the spunky, light MS canopies with soft Tensile Fabric coverings that not just protect from sun and heavy monsoons but also distinctively compliments the heavy solid built mass.

The clients, being Art aficionados, had huge collections of legendary paintings and sculptures; the fragmental wall and others become the display background for the selected paintings and the souvenirs add another layer of harmony and charm to the stimulating inside-out environment of the ‘Pavilion House’.  

The House made beneficently, comprises a large recreation area, a swimming pool, a home theatre, a full-fledged Gym, a spa and a huge open green lawn which was meant to host community gatherings, was completed just before the world came to a halt in March 2020 due to the pandemic. The new house motive got reformatted and instantly suited to the present need of the family to lock themselves in and relish the sublime living all by themselves.

Gallery of The Pavillion

Drawings and Model

Project Facts

Project name: The Pavilion House
Project Location: Bhilai, Chhattisgarh, INDIA
Project Category: Architecture, Private Residence
Architect’s Firm: Flyingseeds design studio, New Delhi
Lead Architects: Abhinav Chaudhary, Kakoli Bhattacharya,
Team : Pushpendra kashyap, Shubham Jain, Akshita Rana
Completion Year: 2020
Gross Built Area:  12500 sqft
Total Site Area: 25000 sqft
Photo credits: Abhinav Chaudhary          

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Khazans in Slavador du Mundo, Bardez, Goa. © Kusum Priya (1)

The Map That Was Never Yours
“If publicness is reduced to what is legally accessible, then these landscapes were never public to begin with.”
—V.V. Kusum Priya

As part of our editorial: What makes a space public?, V.V. Kusum Priya argues that Section 39A of Goa’s 2024 Town and Country Planning Act this isn’t just a legal issue, and that it’s the erosion of an unrecognised but collectively sustained commons, and a question of what “public” really means and who benefits from the legislations surrounding this.

Read More »
Life on the public spaces in downtown Calcutta. Source - Wikimedia


“Appropriation of public spaces is the genesis of political movements, of ideological apparatus, and of endangering the city’s multi-dimensional fabric.”
—Dr. Seema Khanwalkar

Dr. Seema Khanwalkar, explores how the public spaces in India are dynamic, contested areas shaped by informal economies, migration, and social negotiation. She reveals how the transactional activities democratise ownership of these spaces, while the political and religious appropriation increasingly displaces this organic vitality, creating exclusion and anxiety. This shrinking of inclusive public space threatens urban social fabric, yet remains largely absent from city planning conversations, making it a far deeper crisis than mere encroachment.

Read More »
Sen Kapadia


“… people like Sen [Kapadia] don’t really leave. They become the questions we continue to ask.”
—A Tribute by Nuru Karim

Nuru Karim reflects on his relationship with Sen Kapadia through three transformative “states of being”—as a student, as a studio colleague, and as an independent professional. To capture Sen’s essence, Karim draws on three powerful metaphors: a mountain (commanding yet silent), a banyan tree (generous and sheltering), and a river (unseen yet ever-present). Together, these images paint a portrait of a man whose quiet depth left an indelible mark on all who encountered him.

Read More »
Sen Kapadia

Nirbhaya Nirgun
“Sen [Kapadia] found his own light early. He followed it without apology and without detour, and never let anyone dim it.”
—A Tribute by Pinkish Shah

Pinkish Shah’s homage to Sen Kapadia, celebrates him as fearless and formless in both life and work. Intellectually rooted in Louis Kahn and Sri Aurobindo, Sen pursued architecture that transcended form toward essential silence. Known for his courage, he maintained quiet, unwavering independence throughout his career.

Read More »
Prof Shireesh Atmaram Deshpande

“Professor Shireesh Deshpande chose the far more difficult task: to mould young minds into thoughtful, responsible, and rooted architects.”—A Tribute by Sarbjit Singh Bagha

Sarbjit Singh Bagha shares his tribute to Prof. Shireesh Atmaram Deshpande (1934–2026), a pioneering figure in Indian architectural education who passed away on 10 April 2026 at 91. Known affectionately as “Dada,” he spent nearly four decades at VNIT Nagpur, founding India’s first M.Arch. programme and introducing innovative pedagogy. He served as President of the Indian Institute of Architects (1992–1994). Choosing teaching over professional practice, he shaped generations of architects.

Read More »
View of the setting, Asiad. Credits: Meaningful Design Labs

Brutalist India | Asiad Tower, New Delhi

As part of Brutalist India series Bhawna Dandona writes about the Asiad Tower on Khel Gaon Marg in New Delhi, originally designed as a revolving restaurant, but now used as a venue for functions and weddings. The structure stands in close proximity to the Asiad Village and Siri Fort Complex and was designed by the Architectural Department of the Delhi Development Authority.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards