
YELLOW IS THE NEW BLACK, Auronova Office at Mumbai – by THE DESIGN CHAPEL
When a designer achieves an apparent simplicity in their design, after having worked through all the possible complexities, does an elegant spatial aesthetic evolve. The
When a designer achieves an apparent simplicity in their design, after having worked through all the possible complexities, does an elegant spatial aesthetic evolve. The
The façade is a rich tapestry of double glass unit mixed with interlocking zinc strips, perforated zinc Jaalis and aluminium trims interwoven in a fluid composition. Driven by DBL’s modern ethos of efficiency and quality, the building has an understated finesse that makes it a noteworthy icon for the organization.
With such a brief, we kept divisions to a minimum and a third of the floor space as the common work area with two large work tables in MS supports and engineered wood sheets. One cabin is used by the directors or as a common meeting room with the smallest soundproof cubicle being the calling space. The balcony overlooking some trees is used as a lunch and break space.
This is the first office building in which the earth that came out from the basement excavation has been used as compressed stabilized earth block in the masonry of the building, and in making its landscape garden slopes. Another special feature of the building is the plants and trees that have been planted.
This was an office designed for an advertising firm called Flagship. The entire volume which had around 14’ height was painted white. Green their signature colour, was introduced subtly in the form of cushion covers, dividers for workstations and palms.
Office for Wellspun Energy Private Limited at Mumbai by Sameep Padora and Associates: The design of most work spaces are plagued by the monotony of the manifestation of notional efficiency. There is enough documented evidence that the happiest work spaces most conducive to creative thinking are those that foster interaction. Our design for the Welspun Energy head office in Mumbai mimics traditional village open space/courtyard structures in an attempt to create non-hierarchical social spaces that encourage dialogue between the staff.
The approach of our design was to investigate the notion of identity (corporate, organisational and individual) and its urban projection.To this end, we explored, semiotically, the most common idiom of identity, the thumbprint. The shimmering, fluttering, red screen perforated with the company’s logo is an idiom for its “digital identity”.