Ramada Darjeeling

RAMADA Darjeeling, by R+D Studio

The project emphasizes on a multi-scalar approach to site and program, embracing local, regional, and global scales and advancing the role of an architect as a catalytic and thoughtful practitioner who places himself among diverse actors, existing conditions, and imagined futures.
Ramada Darjeeling

Ramada Darjeeling

Ramada Darjeeling / A Boutique Hotel

The project emphasizes on a multi-scalar approach to site and program, embracing local, regional, and global scales and advancing the role of an architect as a catalytic and thoughtful practitioner who places himself among diverse actors, existing conditions, and imagined futures.

Situated in Darjeeling which once was a small hill town has since the year 2000, metamorphosed into an urban network of chaotic built with a sudden increase in home stays and government approved projects for 350 hotels due to boom in tourism. The client decided to seize this opportunity and put up the very first responsible hotel that addressed the prevailing issues of water shortages, lack of planned infrastructure and create a project in the heart of the city without disturbing the character of organic growth that the city chose.

RAMADA Darjeeling, by R+D Studio 2
Elevation

The architecture of the building blends into the context to create a presence that is both local and global. The façade is a subtle reminder of the mountains within the new urban sprawl in a way cautioning the city of its erratic growth. The base of the building is an extension of the street with a series of retail. Within this sits an unoblivious entrance into the hotel that opens to a lobby which unlike its exterior is a representation of the global aesthetics of a modern hotel.The interior is a reminiscence of the mountains and reflects in the pattens and textures and use of materials which gives the place a boutique feel. The geometric patterning of the triangulated mountain wall is referenced through out the hotel in form of screen, carpets and surface treatments such as the tessellated suspended ceilings above the lobby. The main restaurant space is divided into separate zones with the striated mountainous ceiling extending across to tie the entire space with the fully glazed external façade.

The corridors reflect the vibrant colours prevalant in the region, with a custom designed lamp at the entrance of every room which is typical of the traditional house. Throughout the entirety of the space, the colours and gestures in details acts as a gentle counterpoint to the substantial and geological character of the region.

PROGRAMME – 60 Room Hotel with Restaurant,Café, Banquet, Spa & Pool.
LOCATION – Darjeeling, West Bengal
SITE AREA – 7000 sqm
BUILT-UP – 6000 sqm
MONTH OF COMMENCEMENT-COMPLETION – 2015-18
TEAM – Shridhar Rao, Shikha Doogar, Smriti Kapoor, Ishan Pal, Shruti Wagh, Mudit Gupta, Shreya Gera.
PHOTOGRAPHY – Suryan//Dang (www.suryandang.com)

Images:

Drawings

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Recent

Architectural Legacy of Joseph Allen Stein - A Conversation between Meena Mani, Sudhish Mohindroo, and Mandira Nayar, at Triveni Kala Sangam. Source - Anuj Srivastava (1)

Remembering the Architectural Legacy of Joseph Allen Stein—A Conversation With Meena Mani and Sudhish Mohindroo

Anuj Srivastava recounts the conversation between Meena Mani and Sudhish Mohindroo, two architects who worked closely with Joseph Allen Stein, held at Triveni Kala Sangam. Through personal anecdotes, they illuminated Stein’s meticulous design philosophy, deep ecological sensitivity, and understated humanity across three landmark projects: Triveni Kala Sangam, India Habitat Centre, and the Sher-I-Kashmir International Conference Centre (previously Kashmir Conference Centre).

Read More »
Edwin Lutyens' bust which was replaced by C. Rajagopalachari's bust in Rashtrapathi Bhavan

“Changing The Statue Does Not Change the Room”—Geethu Gangadhar on Edwin Lutyens’ Bust Removal

The current Indian government replaced Edwin Lutyens’ bust with freedom fighter C. Rajagopalachari’s at Rashtrapati Bhavan, framing it as decolonisation. But symbolic gestures don’t dismantle colonial mindsets embedded in governance, caste, and institutions. Geethu Gangadhar raises an important question: whether this removal is a way to eradicate colonial baggage or systemic removal of history.

Read More »

Featured Publications

New Release

Stories that provoke enquiry into built environment

www.architecture.live

Subscribe & Join a Community of Lakhs of Readers

We Need Your Support

To be able to continue the work we are doing and keeping it free for all, we request our readers to support in every way possible.

Your contribution, no matter the size, helps our small team sustain this space. Thank you for your support.

Contribute using UPI

Contribute Using Cards