Located in the Radha Puram Estate housing on NH-2, Mathura, the house is a blend of modernism and simplicity. Designed for a well known & respected family in Mathura, the Maniks, the form of the house speaks for itself with its straight lines and bold proportions highlighted with a corner reflective glass window. Simple material & finishes such as Enamel painted MS grills and painted stucco plaster have been employed diligently on the only elevation of the house.
Vinod Gupta, of Opus Indigo Studio reflects on the evolution and challenges of the Indian architectural profession, emphasizing the need for architects to reclaim responsibilities beyond design to revitalize the industry’s trajectory.
Luxury hospitality and sustainability are often seen as opposing concepts. But Suryagarh and Narendra Bhawan oppose this dichotomy. Deepika Srivastava explores this dynamic in a conversation with Ayush and Geetanjali Kasliwal, and Manvendra Singh Shekhawat.
The Shanghai Moon Bay commercial street renovation, by FLO Landscape Design, focuses on micro-regeneration, enhancing community engagement and preserving local identity while integrating vibrant lifestyle experiences in the urban landscape.
Praveen Bavadekar reviews the Apple Store TRX in Kuala Lumpur, Malaysia, designed by Foster+Partners, as a revisit of Miesian glass box design, blending millennia-old spatial techniques with a century-old architectural obsession.
Despite its near-monopoly and widespread popularity, a growing number of architects from small, medium, and large firms across India are voicing concerns about the Autodesk’s aggressive tactics and pricing model, threatening to tarnish its once-sterling reputation.
The Open Ideas National Competition 2024 – Season IV on Improving Livability of Small Houses organised by Habitat Forum (INHAF) in partnership with Sustainability Initiatives (SI), seeks proposals for improving the liveability of small low-cost housing.
Architectural Heritage in India series begins with a conversation with Dr. Shikha Jain, focussing on DRONAH’s work, challenges in working with different institutions, and architectural pedagogy.
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