Located in the Radha Puram Estate housing on NH-2, Mathura, the house is a blend of modernism and simplicity. Designed for a well known & respected family in Mathura, the Maniks, the form of the house speaks for itself with its straight lines and bold proportions highlighted with a corner reflective glass window. Simple material & finishes such as Enamel painted MS grills and painted stucco plaster have been employed diligently on the only elevation of the house.
As part of Brutalist India series, Bhawna Dandona writes about Nehru Memorial Museum and Library, 1974, in New Delhi.
Was architecture used by the society to spatially “manage” women and their autonomy? Aditi A., through her research study, examines the period before psychiatry, when fear had already become architectural, tracing how women’s autonomy was spatially managed through domestic regulation, witch hunts, informal confinement, and early institutional planning.
Why did acclaimed modernist architects suddenly introduce historical symbolism like arches, decorative elements, and other cultural references into their work after decades of disciplined restraint? Sudipto Ghosh interrogates this 1980s-90s symbolic turn as a rupture in architecture, questioning whether this represents an authentic reconnection with content and memory, or is it a mere superficial gesture towards absent meanings. Drawing from Heidegger’s analysis of the Greek temple, he distinguishes two modes of architectural representation, ultimately judging that this turn was a nascent rebellion against modernism that may have failed to achieve genuine integration of context, material, and memory.
Narendra Dengle, through his poem written in January 2006, presents a deep utopic vision for Pune—what the city could be as an ecologically sustainable, equitable city that balances nature with development. He sets ambitious benchmarks for prioritizing public transport over cars, preserving heritage, addressing slum rehabilitation humanely, and empowering local communities
H. Masud Taj elucidates how, as a young architecture student, he dropped out of his institution to travel and learn from monuments, discovering in Gaudí’s Sagrada Familia a turtle column that catalyzed an inquiry, hearing Hassan Fathy’s explication of the turtle in Cairo, ultimately crystallizing in Taj’s poetic meditation on dwelling.
A. Srivathsan in his preliminary overview of the new Viksit Bharat Shiksha Adhishthan Bill, notes that the bill could transform architectural education. The VBSA Bill proposes restructuring India’s higher education regulation, by dissolving UGC and related authorities, creating three new councils for regulation, accreditation, and standards.
Stories that provoke enquiry into built environment
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